A Quote by Judy Norton

I like doing parades, particularly those where a lot of people turn out. — © Judy Norton
I like doing parades, particularly those where a lot of people turn out.
We don't have parades for mathematicians, we have parades for astronauts. You don't think about all the thousands of people who worked on that capsule and crunched the numbers and were integral in getting that into space.
I see what those people are doing with computers and it's just the new way of doing things and I don't look down on them for it, it's kind of funny that there are a lot of people - and I don't even care, this isn't me being like "well I do this" - but there are definitely people who are like: "Yeah I played all that."
There are comedians that I like. I think a lot of it, you just figure out on your own. It's definitely one of those things that you get good at by doing it a lot. But I like Jim Gaffigan. Patton Oswalt. Janeane Garofalo.
The one thing that TV is bad at doing is preaching. There are two extremes, you either turn the people into a punchline or turn them into hero, and both of those things suck, because most people are neither in real life.
A lot of people are like, "You're doing commercials?" And I honestly feel like those Sierra Mist commercials are better than a lot of sitcoms I get offered. It's hard work, and I'm paid a lot of money, and I do it because I love the soda.
Citizenship must be precious, not handed out like candy in a parade. We don't ride along and throw out citizenship like you do M&M's or Tootsie Rolls or whatever it is we're tossing out in our parades.
There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
Golfers find it a very trying matter to turn at the waist, more particularly if they have a lot of waist to turn
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
Decide that you're going to love the people around you, even those you don't particularly like - or perhaps especially those you don't like.
For me, and I suspect a lot of socially awkward people, dealing with people face-to-face seems really traumatic. Particularly if you have massive sweating issues, and particularly if on top of that you have quite smelly sweat that smells like onion soup.
If you're up there [on stage] thinking about what you're doing, you're just not there and it's not going to happen.So trying to learn how to overcome those - which is a normal thing to do. You're in front of a lot of people. People are going to get very self-conscious. So you have to learn to sort of overcome that tendency towards self-consciousness and just blow it wide open. And you jump in and join all those people that are out there enjoying what you're doing together.
I don't like to do what I call 'the grunters' - a character who sits at a table and grunts and young people make fun of. I turn a lot of those down.
Don't forget, a lot of people want that to happen because they make a lot of money by taking money out of this country. Those deals [like NAFTA] are very good for a lot of people.
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