A Quote by Judy Sheindlin

My viewers are smart. They know I have a contract with a TV show and that I make a lot of money. — © Judy Sheindlin
My viewers are smart. They know I have a contract with a TV show and that I make a lot of money.
There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
I had a lot of fun [on The Voice] and I learned a whole lot about reality TV, for one, and how they kind of use the artists as characters to make a hit TV show.
I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.
I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.
A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.
You know, if a TV show dropped into my lap out of the blue, I would have a hard time turning it down because there just isn't the money in theater that there is on TV.
Trust me, I know, you can make mistakes with money and still raise money-smart kids. You can start a new family tradition of handling money the right way.
I had a great shoe contract and glove contract with a company who paid me a lot of money never to be seen using their stuff.
The good news about showcasing chefs and the TV shows is they've attracted a lot more smart kids to the profession than 30 years ago. On the downside, though, these young chefs all say they want their own restaurant and their own TV show.
Everybody knows things are not the same. The people running the TV end of a major vertically integrated company know how much money a successful show can make.
The Sookie Stackhouse novels were selling well before the TV show, but the TV show led to a lot more exposure and readers. And a lot went on to read my other work. It was a wonderful thing for my bank account.
We live in a culture where everyone is perfectly willing to do this [to make a lot of money], and they're just looking for the opportunity. Obviously, a person who is really dumb is not gonna make a zillion dollars. But for a person who is really smart, really smart, it's a boring pursuit. It's not endlessly fascinating.
I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.
When I was younger, I did a TV show in the U.K. for a couple years, and I learned a lot from that. It taught me a lot about being known amongst your peers and having to deal with a lot of derision from them. It's not easy being known as 'the kid from the TV show.' Not in school it's not.
In our show you have to pay attention and know what happened before. I think it's very intelligent entertainment. It makes demands of viewers that a lot of shows don't.
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