A Quote by Juelz Santana
I'm one of those artists who have the presence and that swag... I was always built for the music, I don't get on cameras and pop sh*t and base it on a whole lot of hype and talk, I was built off my music.
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My music and my fan base is really built off of my lifestyle.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
Many fail to realize this great recording industry was built by so-called jazz artists. And at the other end of the spectrum, a base in European classical music as well.
I'd been doing my own thing, and making my own money; I wasn't built by a record label or the music industry, nor was I built by prominent artists that have given me co-signs.
I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
My base understands the Mexican wall is going to get built, whether I have it funded here or if I get it funded later, that wall's getting built, OK? One hundred percent. One hundred percent it's getting built. And it's also getting built for much less money - I hope you get this - than some people are estimating.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
The problem right now, which I've been pointing out very bluntly to American officials in Washington, is that the U.S. has no economic presence in Afghanistan. The Afghans can't point and say, "Oh, the Americans built that road. They built that telecommunications facility. They built that electricity powerhouse," because nothing has been built so far.
There are artists that are using computers in all genres - Kendrick Lamar's music is electronic-made, and Taylor Swift is the same thing. There's a lot of pop music, underground music, and music for films made with computers. In that sense, it's not going to go away.
Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories in ever done.
When I was a kid, pre-1994 was still apartheid, so we didn't get a lot the subversive music from the States or from the U.K. A lot of the music we would get was the poppiest pop music, so I've never really had a bad association it.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
England's a small nation, and the pop music industry is built on fashion.
White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
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