A Quote by Juergen Teller

One day, I'll be photographing Kate Moss in Paris, then I'll be on Stephanie Seymour's ranch with her hundred horses wondering what exactly it is I'm doing there. — © Juergen Teller
One day, I'll be photographing Kate Moss in Paris, then I'll be on Stephanie Seymour's ranch with her hundred horses wondering what exactly it is I'm doing there.
If Kate Moss hadn't been booked when she was 14, Kate Moss might not exist.
I love her but I wouldn't marry her if she [Kate Moss] was the last woman on earth.
Everybody is wondering what Paris Hilton will be doing next, and hell, I'm wondering what she did before.
There is only going to be one Kate Moss. Kate is an icon.
My style idols are people like Kate Hudson, the Olsen twins and of course Sienna Miller and Kate Moss- even Bridget Bardot.
Kate Moss is always photographed without her top on, but she doesn't get any grief. Why me?
I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
I love Kate Moss. I've worked with her a couple of times, and she is a great girl, really funny and easy to work with.
I can remember years ago, when Kate Moss first came around and there were so many articles. Everyone was saying that it was heroin chic - that she was a waif, that she was anorexic. But Kate would eat just as much as anybody I knew - the media had just turned her into this thing. It must be really, really hard when you're the object of that.
Kate Moss is too skinny. She also looks like she's 11. It's practically illegal to look at her picture. God bless Kate Dillon, but size 14 is just a little too big. Look at me talking, I just lost 28 pounds, so I should have more sympathy, but I don't.
When I saw Kate Moss's champagne tower from her wedding, I was like, 'Okay, check - I want that. I want fireworks.'
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
I used to kind of go for it, right? Like, I'd be the one who would say, 'All right, there's Kate Moss. I'm going to try to make out with her.'
I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours.
It wasn't exactly that Lula was fat. It was more that she was too short for her weight." - Stephanie Plum
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
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