A Quote by Juergen Teller
You have a negative, and you can have an influence whether you want to have it more contrasty or less contrasty; you can pre-flash the photo paper. You can make it warmer or colder, lighter, darker. This is all a way of manipulating the image in a normal way, not changing the pixels.
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The tea is ice-cold, the room grows colder and colder, but I grow warmer and warmer.
I am concerned that the subtlety is being lost and every film tends to look very contrasty and saturated.
When I was younger, I looked at getting older as this process of getting less interested in things and becoming colder, and of finding less joy in the mystery of things. And I've found the exact opposite to be true. I find that I'm getting warmer, and that I'm more mystified by human interactions.
Wear a foundation one shade lighter than your skin tone - you can always make it darker, but not lighter, once it's on.
The important question is, therefore, not whether anarchy is possible or not, but whether we can so enlarge the scope and influence of libertarian methods that they become the normal way in which human beings organise their society.
Manipulating [is] just the way to proceed, to convince that what you're doing is important. Is nothing more than that. Everyone is manipulating.
The perpetuation of gangster rap has really put a negative image on the city of Compton... So I look forward to addressing that image, changing it and making it more accurate.
There's a pressure to conform to particular images, and it feels a pretty exclusive pool of body image or facial image that is considered appealing. And in a way, that feels like pre-judging what an audience might actually want.
I've experienced colorism in that way: where if you're lighter, then you'll potentially be accepted into society better than if you were darker-skinned.
Our approach is to think of companies not as businesses but as collections of people. We [Apple]want to qualitatively change the way people work. We don't just want to help them do word processing faster or add numbers faster. We want to change the way they can communicate with one another. We're seeing less paper flying around and more quality of communication.
The guy I played in 'The Xpose' is more like a spoiled brat who likes to have his way than a villain. No more negative roles after 'The Xpose' for me. I've enough problems dealing with the negative image I've been saddled with in some sections.
The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.
Do not turn the power of your mind upon others, but turn it upon yourself in such a way that it will make you stronger, more positive, more capable, and more efficient, and as you develop in this manner, success must come of itself. There is only one way by which you can influence others legitimately, and that is through the giving of instruction, but in that case, there is no desire to influence. You desire simply to impart knowledge and information, and you exercise a most desirable influence without desiring to do so.
A photo is like a map, a way of giving me a foot into a kind of reality I want... I'm not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented.
As an artist you very much want to have control over your dialogue and your image and when you become exposed in a way where other people are manipulating your brand or the public perception of you that's where it can be frustrating. It's when you want to tell everyone to shut the f*** up and say "hear it from me, not from them." That's all.
Like many musicians, I can hear the weight in the sound. Sound is matter. We speak of the colour of an instrument, of transparency... We can demand more sombre or lighter colours, deeper playing and singing, heavier or lighter sound. And manipulating those means is like creating a painting.
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