A Quote by Juice Newton

When the audience leaves, I'd like them to feel positive when they go. — © Juice Newton
When the audience leaves, I'd like them to feel positive when they go.
I'm always happy when I get a chance to go over to Japan just because I feel like, if I can have good matches with the Japanese and show them that at this point in my career I'm still willing to go out there and put it on the line, I feel like it's a positive step in my career.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
You never know what an audience is going to think about something. The ones that the audience doesn't get, I tend to let them go. I don't like to dwell on them too much.
I could lecture on dry oak leaves; I could, but who would hear me? If I were to try it on any large audience, I fear it would be no gain to them, and a positive loss to me. I should have behaved rudely toward my rustling friends.
I think the audience is getting it right, you know what I mean? And that's kind of rare when the artist feels like their audience understand them. But I feel like people are understanding exactly what I'm going for. And that's awesome.
I like to talk to the audience once the show starts, as much as possible, and feel connected to them. I don't feel quite as nervous when I do that because, then, you feel like they're on your side.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
I've got an audience now. They found me. I didn't go looking for them. I feel my music brought them all in.
I go among trees and sit still. All my stirring becomes quiet around me like circles on water. My tasks lie in their places where I left them, asleep like cattle... Then what I am afraid of comes. I live for a while in its sight. What I fear in it leaves it, And the fear of it leaves me. It sings, and I hear its song.
I feel like, anytime I'm onstage, I tend to feel very connected with people in the audience or with the sort of heartbeat or tempo of the audience.
The people need to feel the music. That's what's so important, and that's what is missing. You have to let the audience feel you, you have to let them feel the love, feel the rock 'n' roll, feel the energy.
If you have goals and the stick-with-it-ness to make things happen, people will feel threatened by you, especially if your goals don’t include them. They believe that if you take a piece of pie, then that leaves less pie for them. Seeing you follow your dreams leaves them realizing that they’re not following theirs. In truth, there is unlimited pie for everyone!
The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them.
I'm not against making new fans, but I'm not going to go out of my way to pander to someone and try to make them like me; that's not who we are. It's not as if we're fighting to find an audience - we have our audience, and anybody else is definitely welcome.
Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
Being in front of the audience, letting my audience see me in person - it is real intimate, you get to make them laugh and cry, they get to feel you. And then afterward, we go out and do a meet-and-greet session with the fans. It was just a wonderful experience. I really, really enjoyed it.
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