A Quote by Juicy J

I don't have a hand in a lot of my own beats. I like all types of music and all types of beats though. — © Juicy J
I don't have a hand in a lot of my own beats. I like all types of music and all types of beats though.
In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
Punk's really cool because it's very inclusive of all types, which I like. And I would submit that even though people talk about punk as being thuggish, I think it can be more creative than other types of music.
I naturally, when I make beats, aim for a darker tone just because I've always preferred those types of feelings.
I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
A lot of young producers will stay at home and make beats all day but making beats is only about 20 percent of the job. The other 80 percent is networking; that's what I feel like a lot of people are lacking.
When I look at music, everything is blurred, and I like it that way. I grew up like that, hanging out with different types of people who listened to so many different types of music. I never wanted to be part of any one clique. I loved it all.
For people who love Tribe, I'm the defector. They say, 'You should get back with Ali to do the beats.' But a lot of people don't realize I did all the music in Tribe. In the first three albums, I did all the beats!
The simplest beats, on what rock music or any music has been formed on, can be the toughest beats to execute and perform, because it's really easy to not respect a simple 4/4 beat, because people always want to play fast.
Artists are controlled by the life that beats in them, like the ocean beats on the shore.
The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.
None of my songs sound the same. None of them. I take R&B beats and put it as a rap song or hip-hop beats and put them as a R&B song. A lot of people are boring. I don't like boring music. Everybody sounds the same, like they copying.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
I was joked by a lot of older musicians because I was playing saxophone over trap beats or future bounce beats, and it just wasn't what you do. They were just like play some John Coltrane and get in the corner. But that's just not how I work.
Even after rowing in all these pieces, it's often hard to determine who will be selected because the decisive factor in seat racing is speed not margin. Boat X beats boat Y by two lengths over 1000 meters in a time of 2:54. After exchanging "Dave" from X to Y for "Scott," Boat X beats boat Y by one length in a time of 2:51. From the rower's perspective, the result is that Dave beats Scott by a length. But in Mike's eyes, Scott beats Dave because on the second piece, X was three seconds faster-even though it only beat Y by a length.
This site uses cookies to ensure you get the best experience. More info...
Got it!