A Quote by Juicy J

I rap about Memphis and what a dangerous spot that is. — © Juicy J
I rap about Memphis and what a dangerous spot that is.
I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.
It's easy to forget about the Memphis Grizzlies because, well, they play in Memphis.
The big stars in rap, they were too big, so when my rap generation started, it was about bringing you inside my apartment. It wasn't about being a rap star; it was about anything other than.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'
I'd been to Memphis before, but we stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time.
I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.
The fact is, I'm the biggest rapper from Memphis, I help a lot of rappers from Memphis.
Memphis is in a very lucky position on the map. Everything just gravitated to Memphis for years.
When I got outta High School I was driving a truck. I was just a poor boy from Memphis, Memphis.
My relationship with the Grizzlies might change, but my relationship with Memphis won't. What I feel inside and how I feel about Memphis and its people has nothing to do with a franchise or a temporary thing. It's not going to change.
'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension of 'The Mountaintop.'
As far as Memphis being underrated, I feel like a lot of people have slept on Memphis music when it comes to breaking through into the mainstream.
I'm working on this documentary. It's called 'Walking Home With Baby,' and when I say 'Walking Home With Baby,' it's a hood in Memphis. This is where I come from. This is my hood in Memphis - the South of Memphis.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
This is hip-hop. If you've got something you want to rap about, just rap about it, man.
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