A Quote by Jule Styne
I thought he might hit me over the head, knowing that he wanted to do the whole show. He was young, ambitious, and a huge talent. But he was also very gentle, and we got along fine.
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I was driving along and I got a random call on my way to my mother in law's for dinner and it was Drake. He wanted to help and he said he'd do anything to get 'Top Boy' back on screens and then got a call from Netflix, who wanted to do the show. For U.K. culture, it's a huge thing.
There was a band in Australia named Midnight Oil, and they were a very, very political, and they literally hit you over the head with a hammer. U2 sometimes can hit you over the head with a rubber hammer.
I think that some people have wonderful spots. I think that Karl Lagerfeld has a wonderful spot designing for Chanel. They really just let him go. I think John Galliano is a huge talent. Marc Jacobs is also a huge talent - and a very interesting one to me.
Years ago, I saw a job for head baker for The Dorchester Hotel in London, and I didn't want to move away from the North West. But then I thought, 'I've got to do this for my career,' because I was very ambitious. So I went for it and got the job.
So be gentle with yourself; show yourself the same kindness and patience you might show a young child - the child you once were. If you won’t be your own friend, who will be? If, when playing an opponent, you are also opposing yourself, you will be outnumbered.
My dad got me a huge board when I was little. He loves to surf. He suited me up and sent me out on this huge wave. I went under, and when I came out and the board hit me in the face. So I said, I never wanted to do this again. I stayed away until I was 13.
You don't realize what fine fighting material there is in age. ... You show me any one who's lived to over seventy and you show me a fighter - some one who's got the will to live.
It was special with me being from Memphis and knowing the history of the venue, knowing all of the artists who performed in the Orpheum before me. Even having the idea to approach it was ambitious on my part, but I thought they would turn me down at first.
The manuals we got from IBM would show examples of programs and I knew I could do a heck of a lot better than that. So I thought I might have some talent.
It's a huge challenge, a huge responsibility. Bond is a huge iconic figure in movie history. These opportunities don't come along very often so I thought, 'Why not?'
That impossible dream you dreamed when you were young but got talked out of, the one you thought you outgrew, might be the key to awakening your genius. That special talent you never followed through on might be an important source of delight, the one you should commit to. That old dream might be the one thing that will bring the magic of meaning to your life.
When I was 11 I had to umpire a game. I got hit in the head and got knocked out. The ball was hit straight back, hit the bail and knocked my head.
I think when I finally got it in my head that I was going to do the story, I wanted to avoid doing what I thought people wanted me to do.
You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.
It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.
I sang "Patience" by Guns N' Roses for my sixth grade talent show and I wanted to be an actor when I was younger. It was all very, very theatrical. It was only later that I separated the two and thought of myself as quite the opposite of an actor.
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