A Quote by Julen Lopetegui
If there came a time when we didn't get nervous, that would be worrying, as it'd mean we didn't care as much.
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When I get nervous, I think about my dad, who would always tell me, 'When you're nervous, it means you care.' So I embrace it. That reminds me I'm ready.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
The first day of shooting came, and of course I was nervous. I would lie if I said I wasn't impressed. I mean, Lars von Trier hiring me to be the king in 'Medea'... Lars said, 'Stop! Stop!' And I was so nervous, I turned around and said, 'What is it?' He said, '... Just be a tired king.'
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
Frankly, our ancestors don't seem much to brag about. I mean, look at the state they left us in, with the wars, the broken planet. Clearly, they didn't care about what would happen to the people who came after them.
The only time I don't get nervous is if I'm doing a home club in L.A. and I know all of my friends there because then I play to my friends. When I first started doing comedy, I hated it when my friends came; it made me more nervous. Now I just try to make them laugh.
I — I mean," Kate stumbled on, "that with us there is a time past and time present, and time future, and with your gods perhaps there is time forever; but God in Himself has the whole of it, all times at once. It would be true to say that He came into our world and died here, in a time and a place; but it would also be true to say that in His eternity it is always That Place and That Time — here — and at this moment — and the power He had then, He can give to us now, as much as He did to those who saw and touched Him when He was alive on the earth.
I have a wife and child, and I guess that would constitute a family, and sometimes I watch shows where the people aren't related. And I don't get nervous, get the sweats, and have to run out of the room. I mean, I can handle it.
I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it's fine.
I get nervous all the time. The only time I'm not nervous is onstage, which is weird.
When my first film 'Paruthiveeran' released, I had no time to get excited. It was a worrying time for me. I was anxious to know how it would be accepted.
I stopped getting nervous a long time ago, so any time I do get nervous, which is rare - about work, anyway - I always take that as a really good sign.
My biggest change is what is important to me, and what is not. What's worthy worrying about, and what is not. When we're younger, we tend to spend too much time worrying and going over the unnecessary. I'm no longer running the hamster wheel.
It is a mark of a mean capacity to spend much time on the things which concern the body, such as much exercise, much eating, much drinking, much easing of the body, much copulation. But these things should be done as subordinate things: and let all your care be directed to the mind.
I don't think about what other people expect or anything. I mean, I sit and worrying so much about what I'M thinking, I'd go NUTS if I sat around worrying about other people.
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
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