A Quote by Jules Amedee Barbey d'Aurevilly
The artist's morality lies in the force and truth of his description.
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We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.
It recognizes no morality but a sham morality meant for deceit, no honor even among thieves and of a thievish sort, no force but physical force, no intellectual power but cunning, no disgrace but failure, no crime but stupidity.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
So long as men desire to live together, no man may initiate the use of physical force against others. . . . When a man attempts to deal with me by force, I answer him by force. It is only as retaliation that force may be used and only against the man who starts its use. No, I do not share his evil or sink to his concept of morality: I merely grant him his choice, destruction, the only destruction he had the right to choose: his own.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
We're always projecting our moral categories on things. I think that's inevitable. But capitalism places no particular value on morality. Morality in the market is enforced by contract and regulation and law, because morality is understood to be in conflict with the motive force of greed and accumulation.
The motive force of history is truth and not lies.
I sometimes believe his lies are the truth, but I have never mistaken his truth for a lie.
To justify Christian morality because it provides a foundation of morality, instead of showing the necessity of Christian morality from the truth of Christianity, is a very dangerous inversion.
There is at least one truth to every myth, and it takes one truth to create a lie. Lies can be formed from Truth; however, Truth cannot be formed from lies.
The artist's imagination may wander far from nature. But as long as it is a living, moving power in his brain, isn't it just as real as any other natural phenomenon? The artist justifies his existence only when he can transform his imagination into truth.
Zarathustra was the first to consider the fight of good and evil the very wheel in the machinery of things: the transposition of morality into the metaphysical realm, as a force, cause, and end in itself, is his work. [...] Zarathustra created this most calamitous error, morality; consequently, he must also be the first to recognize it.
The artist needs to understand the truth that lies at the bottom of an enigma.
Art- speech is the only truth. An artist is usually a damned liar but his art, if it be art, will tell you the truth of his day and that is all that matters. Away with eternal truth. The truth lives from day to day, and the marvelous Plato of yesterday is chiefly bosh today.
The true artist doesn't substitute immorality for morality. On the contrary, he always substitutes a finer morality for a grosser one.
There is something very sublime, though very fanciful, in Plato's description of the Supreme Being,--that truth is His body and light His shadow. According to this definition there is nothing so contradictory to his nature as error and falsehood.
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