A Quote by Jules Breton

The artist should not be satisfied to only play the part of a mirror. — © Jules Breton
The artist should not be satisfied to only play the part of a mirror.

Quote Author

Jules Breton
May 1, 1827 - July 5, 1906
Some moralist or mythological poet Compares the solitary soul to a swan; I am satisfied with that, Satisfied if a troubled mirror show it, Before that brief gleam of its life be gone.
Just let the artist sign an empty canvas or a frame, with the inscription, 'I had such and such a concept in mind' for this work. The artist then need not bother with producing the work, and therefore need not be worried about being dis-satisfied. All he or she needs to do is to sell it to a collector. The collector will have the guarantee that the artist thought about the work, even if momentarily, and therefore be satisfied.
The purer the artist's 'mirror' is, the more true reality reflects in it. Overseeing the historical culture of art, we must conclude that the mirror only slowly is purified. Time producing this purifying shows a gradual, more constant and objective image of reality.
We are part of each other and part of something bigger than our own egos. An artist should... bring into the world some vision. Dancers should ask, "What is their work in the service of?"
As far as being satisfied, I just don't think you should work towards being satisfied. If everybody were satisfied, we'd never get anything done.
Basically, an artist should be a mirror, or a reflection of society or his or her environment. What you see is what you can articulate.
I want to play challenging characters. You should never be satisfied.
It is not the job of art to mirror. Images reflected in a mirror appear to us in reverse. An artist's responsibility is to reveal consciousness; to produce a human document.
A mind now clouded by the illusions of the innate darkness of life is like a tarnished mirror, but when polished, it is sure to become like a clear mirror, reflecting the essential nature of phenomena and the true aspect of reality. Arouse deep faith, and diligently polish your mirror day and night. How should you polish it? Only by chanting Nam-myoho-renge-kyo
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
For my part I think it is a less evil that some criminals should escape, than that the government should play an ignoble part.
Let it not be assumed that the artist is so smug as to dislike true criticism. No sincere artist was ever completely satisfied with his labour.
I'm kind of floating out there as an artist. I'm in a safe place where I can play a girlfriend or a best friend or a mommy or a lawyer, but a huge part of me is unused. I'm classically trained, historically inclined and somewhat revolutionary by nature, so I'm frustrated as an artist.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.
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