A Quote by Jules Feiffer
I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.
Related Quotes
I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.
I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and "style" as much as I could, since I knew that I'd calcify as I got older.
During my Austin years, I was drawing a regular strip for the University Of Texas newspaper, going to school, delivering blood, and trying to change my approach and 'style' as much as I could, since I knew that I'd calcify as I got older.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
So, my style has hopefully changed over the years and it is more relaxed, and I do tend to smile and have more than one expression these days hopefully - which I didn't at the beginning.
It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
There is, however, a change going on in the world. There's far more interest in drawing now than there has been in a long, long time. Schools are beginning to teach drawing again in a serious and meaningful way.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
My style is a little bit different than most conventional Republican Party chairmen. My style is more grass roots-oriented. I'm much more of a street guy. I love hanging out in boardrooms, but I prefer to be in neighborhoods and communities.
There are great science books that were conceived as books. Feynman's famous introductory lectures in physics, which have a beginning and an end, which are written with style.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
At the beginning of writing fiction, too much of the newspaper style was getting into the prose, so I thought, 'Gee, I should try writing longhand. Maybe I can tap something that goes back to the point before I could type.'
He found a formula for drawing comic rabbits:
This formula for drawing comic rabbits paid.
Till in the end he could not change the tragic habits
This formula for drawing comic rabbits made.
Be clear in your mind why learning to draw well is important. Drawing enables you to see in that special, epiphanous way that artists see, no matter what style you use to express your special insight. Your goal in drawing should be to encounter the reality of experience... to see ever more clearly, ever more deeply.
Related Authors
Adrian Tomine Quotes
American
Cartoonist
Alison Bechdel Quotes
American
Cartoonist
Bill Watterson Quotes
American
Cartoonist
Bryan Lee O'Malley Quotes
Canadian
Cartoonist
Cathy Guisewite Quotes
American
Cartoonist
Charles M. Schulz Quotes
American
Cartoonist
Gary Larson Quotes
American
Cartoonist
Jack Kirby Quotes
American
Cartoonist
Lynda Barry Quotes
American
Cartoonist
Matt Groening Quotes
American
Cartoonist
Michael Leunig Quotes
Australian
Cartoonist
Randall Munroe Quotes
American
Cartoonist
Roz Chast Quotes
American
Cartoonist
Scott Adams Quotes
American
Cartoonist
Seth Quotes
Canadian
Cartoonist
Seth MacFarlane Quotes
American
Cartoonist