A Quote by Jules Feiffer
I don't know how comic artists feed their families, if they do. But it's a fascinating form and so I think that after a long period of nothing happening and work, nothing very impressive, we are into another golden age of comics. Unfortunately, it's not a golden age for the artists themselves economically. I don't know how they get along.
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Every artistic form has its golden age, and unfortunately I think the golden age for whatever I do probably ended about 1990.
I'm not saying the 1970s was a golden age - I don't believe such a thing exists in art . . . It would be like talking about a golden age of science. But it's true that those were slightly more ideological times, and the relevance of artists wasn't established by their CVs but by their work.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
I gravitated toward being a funny guy. I liked the radio comedians. I lived in the Golden Age of radio, and the Golden Age of television came along when I was still in my early teens.
I often think that those people are the happiest who know nothing at all of the world, and sitting in the little empire of the fireside, where there is no contention or cabal, think we are in a golden age of existance.
We've been taught that the renaissance was one of the great golden ages of civilisation. The renaissance was not a golden age, it was the end of a golden age.
Practically all writers and artists are aware of their destiny and see themselves as actors in a fateful drama. With me, nothing is momentous: obscure youth, glorious old age, fateful coincidences - nothing really matters. I have written a number of good sentences. I have kept free of delusions. I know I am going to die soon.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
Sit and do nothing. Every once in a while a golden fish swims by and lays her golden eggs. You'll know.
I think probably, the makeup artists don't really know how long it's going to take until they really work with your face and they kind of mold it and build it as they're going along.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.
I think the reason the Golden Age of television is so golden is because a lot of folks are willing to let creators do their thing and live or die by their own muse. They certainly allow us to do that.
Grandmasters decline with age. That's a given. There is nothing special about the age of 40, but age eventually takes its toll. That much is clear. Beyond that, it's about how long you can put off the effects and compensate for them. Mistakes will crop in, but you try to compensate for them with experience and hard work.
Grandmasters decline with age. That's a given. There is nothing special about the age of 40, but age eventually takes its toll. That much is clear. Beyond that it's about how long you can put off the effects and compensate for them. Mistakes will crop in but you try to compensate for them with experience and hard work.
Age is a very psychological thing; I do not know how old I am if you ask my age. Age is calculated by when you get born, but I do not agree with that parameter. I sometimes feel like 25, sometimes 12 and at times 40, and I love that about myself as an artist. I am not stuck to a particular age.
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