A Quote by Jules Renard
There are places and moments in which one is so completely alone that one sees the world entire.
Related Quotes
There are not sacred and profane things, places, and moments. There are only sacred and desecrated things, places, and moments-and it is we alone who desecrate them by our blindness and lack of reverence. It is one sacred universe, and we are all a part of it.
Who’s to say that it takes something like a drug to mess with your perception of reality? How did Hitler deceive a nation? How can one group of people look at the world and see one thing, and another see something completely different? One sees a town, another sees a desert. One sees beauty, another sees chaos.” The skin of this world,” he said quietly.
So during those first moments of the day, which are yours and yours alone, you can circumvent these boundaries and concentrate fully on spiritual matters. And this gives you the opportunity to plan the time management of the entire day.
Because ALWAYS, even in the darkest moments, in moments of sin, in moments of weakness, in moments of failure, I have seen Jesus, and I trusted Him... He has not left me alone.
The Hour-Hand of Life --- Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea - all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.
The truth of the matter is one knows what it's like being the president. Not I, nor any president to come hence. This is because life, thankfully, offers deeper quandaries. While in office, I would often wake up in a daze, wondering how I could wiggle my toes without even thinking it so, or why hair grows only on certain places and not our entire bodies, or why we aren't completely bald, or why we must close our eyes and sleep every night, or any of the millions of particulars of daily existence, let alone that I was elected the leader of an entire nation.
When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.
'You're not alone' can be a great thing to hear when you're feeling quite despondent and alienated from the world and yourself. But if you're someone who's been completely overwrought with the intensity of life and the world, getting some space to be alone can be one of the things you crave most.
But if you could make that mistake and press the send button and the entire world sees it forever.
Everybody has a world, and that world is completely hidden until we begin to inquire. As soon as we do, that entire world opens to us and yields itself. And you see how full and complex it is.
The artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.
The source of genius is imagination alone, the refinement of the senses that sees what others do not see, or sees them differently.
I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.
We are challenged to develop a world perspective. No individual can live alone, no nation can live alone, and anyone who feels that he can live alone is sleeping through a revolution. The world in which we live is geographically one.
The photographer sees the world as a child sees the bits of glass in a kaleidoscope. If he has a camera with which he can secure these ever-changing combinations, he is then able to look on them again and again, and he has the further pleasure of pleasing others with the sight of things which he, with perhaps unusual opportunities, was able to see, which his friends would otherwise not ever be able to.
In Tar Baby, the classic concept of the individual with a solid, coherent identity is eschewed for a model of identity which sees the individual as a kaleidoscope of heterogeneous impulses and desires, constructed from multiple forms of interaction with the world as a play of difference that cannot be completely comprehended.
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