A Quote by Jules Shear

It took a bit of talking through administrative people, but only once did an attorney try and get in the way of the process and say their artist couldn't do it. — © Jules Shear
It took a bit of talking through administrative people, but only once did an attorney try and get in the way of the process and say their artist couldn't do it.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
Something happens between a novel and its reader which is similar to the process of developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom, became visible bit by bit. As you read your way through a novel, the same chemical process takes place.
It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.
Jesus! Did I SAY that? Or just think it? Was I talking? Did they hear me? I glanced over at my attorney, but he seemed oblivious.
You could put this record on and not get jarred half-way through. I wanted it to be all cut from one cloth, and that was the way we took it through the whole production process.
You shouldn't have to sue somebody to get justice. It ought to come through administrative process.
I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.
The CONCEPT is though that you have to get an AGREEMENT BY CONTRACT and you KNOW that they are NOT going to respond. So the way that you are going to get your contract is THROUGH the public Notary through that process of showing an administrative procedure to the proper parties and their FAILURE to respond and then you are going to have to lodge the final result the evidence of that contract with the PROPER party With PETITION on the PRIVATE SIDE to get the acknowledgement.
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
Now, how do you explain Obama's claim, that he can kill American citizens without due process? Well, he has his attorney general get up and say, "Well, it doesn't say in the constitution judicial process. It just says due process." Now that's a lawyerly diversion from the truth.
I didn't understand at the time why Vince was so interested in teaching me life lessons when all I was trying to do was get my video played. But now I think it's because he saw a little bit of himself in me. Just like me, he was a rebel who listened to no one and did whatever it took to get the job done, pissing people off with his stubbornness and drive in the process. Therefore, he was trying to teach me how to better myself instead of repeatedly getting into trouble by rubbing people the wrong way.
If you're a classical actor, every Shakespearean part you play, you then say, 'McKellen did it this way,' and, 'Jacobi did it this way.' There's a whole list of Oliviers and people, whether you play Hamlet or Richard II or Richard III, any of those roles. And I found that a bit when I did 'La Cage.' It didn't bother me one bit.
Brain surgery is a fairly aggressive process. There's a lot to get through. There's the beautiful, delicate shaving first, which is really lovely. There's a wonderful ceremony of putting all the covers on, so only the little bit you're operating on is revealed. But once they make the incision and tear the skin back, the drill comes out.
I never took drug to escape. I know some people take drugs to escape, but I took drugs because I was an experimenter. And an artist. And I was always trying to go to the other side of that veil and get information, like all writers have done through the millennia. To get some insights on how the whole thing works, if there's any way to know how it works, and write about it.
It's not like I was trying to be sexy but I had to get fit because I had to be able to do stunts. Also I wanted that, if Bond took his clothes off, he looked like a man who did what he did, which was kill people for a living. I thought the only way to do that was to work out and get fit and buff and get physically into shape.
If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.
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