A Quote by Jules Verne

As for Phileas Fogg, it seemed just as if the typhoon were a part of his programme — © Jules Verne
As for Phileas Fogg, it seemed just as if the typhoon were a part of his programme
He was the most deliberate person in the world, yet always reached his destination at the exact moment. As for Phileas Fogg, it seemed just as if the typhoon were a part of his programme. Around the world in eighty days
My parents came from the Kyushu Island in the Southern part of Japan to find work in Tokyo. So we could only afford to live downtown, in a low-income area. It was just by the river, and whenever a typhoon came around, we were under water up to, like, here. That's the kind of place we lived in.
I was sick and tired of reading other people's epigraphs. They all seemed to be in ancient Greek, middle French or, when they were translated, they never seemed to relate to the book at hand. Basically, they seemed to be there just to baffle you and to impress you with how smart the writer is.
Svengal lay groaning on the turf. His thighs were sheer agony. His buttocks ached. His calf muscles were on fire. Now, afterhe had tumbled off the small pony he was riding and thudded heavily to the turf on the point of his shoulder, the shoulder would hurt too. He concentrated on trying to find one part of his body that wasn't a giant source of pain and failed miserably. He opened his eyes. The first thing he saw was the face of the elderly pony that he had been riding peered down at him. Now what made you do a strange thing like that? The creature seemed to be asking.
His books were part of him. Each year of his life, it seemed, his books became more and more a part of him. This room, thirty by twenty feet, and the walls of shelves filled with books, had for him the murmuring of many voices. In the books of Herodotus, Tacitus, Rabelais, Thomas Browne, John Milton, and scores of others, he had found men of face and voice more real to him than many a man he had met for a smoke and a talk.
This programme to stop nuclear by 2020 is just crazy. If there were a nuclear war, and humanity were wiped out, the Earth would breathe a sigh of relief.
He just watched the way Finnikin’s hands rested on Evanjalin’s neck and he rubbed his thumb along her jaw and the way his tongue seemed to disappear inside her mouth as if he needed a part of her to breathe himself.
The whole point was just to be yourself, no matter what that was. You didn't have to fit into a certain punk-rock cliché. Create whatever your compelled to create. People were putting out their own records, and it just seemed natural to put out my own magazine. When I was really young, I started making magazines and little books, just folded-over pieces of typing paper, so when I discovered punk rock, it really blew my mind. I played in bands and stuff, but making my own zines seemed like an inherent part of that scene.
He was always part of her thoughts, and now that he was real, he was inescapably part of her life, but it was as she had told her mother: saying he was part of her or that they were more than friends sounded like love, but it seemed like loss as well. All the words she knew to describe what he was to her were from love stories and love songs, but those were not words anyone truly meant.
New teachers were just a part of life, for a few days after one arrived, squawks of interest were emitted from various corners, but then they died away as the teacher was absorbed like everyone else...before you knew it, the fresh ones seemed to have been teaching there forever too, or else they didn't last very long, and were gone before you'd gotten to know them.
Barack Obama seemed to think he could win over his enemies. He certainly seemed to believe too much in his own powers of persuasion. One thing's for sure - he misunderstood the nature of his adversaries.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
I turned to look into his face one last time. It was as if I could see the whole universe in his eyes. Maybe he was God, maybe he was simply enlightened. I didn't care right then, in that blessed moment, I just loved him. Later, though, the love was to turn to hate, to fear. They seemed so opposite, the feelings, yet they were all one note on his flute.
I was addicted to 'The Monkees' TV programme - not so much because of the music but because of the commercials in between. The programme was sponsored by Yardley, and in the commercial breaks, there would be these English girls on roller skates, wearing hot pants, and I just thought, 'God! How neat!'
The place resembled a new model prison, or one that had achieved a provisional utopia after principled revolt, or maybe a homeless shelter for people with liberal arts degrees. The cages brought to mind those labs with their death-fuming vents near my college studio. These kids were part of some great experiment. It was maybe the same one in which I'd once been a subject. Unlike me, though, or the guinea pigs and hares, they were happy, or seemed happy, or were blogging about how they seemed happy.
I'm part of a speech therapy programme called the McGuire Programme. It teaches you a new way to breathe, a new way to speak, a brand new way of tackling the mind-sets that come with having a speech impediment. Mainly, it teaches you how to slow things down, and that has really helped me.
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