A Quote by Julia Cameron

When I went in, my editor said, 'I hope you don't think you're a writer.' And I said, 'I hope you don't think I'm a journalist.' And, uh, turned out we were both right. — © Julia Cameron
When I went in, my editor said, 'I hope you don't think you're a writer.' And I said, 'I hope you don't think I'm a journalist.' And, uh, turned out we were both right.
When I went in, my editor said, ‘I hope you don’t think you’re a writer.’ And I said, ‘I hope you don’t think I’m a journalist.’ And, uh, turned out we were both right.
I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day]. And, actually, it was Jeff Goldblum who looked at me one day and said, "You know, I think this is going to be really something." And I said, "Well, I hope you're right." And sure enough, it turned out to be.
I have the utmost respect for Joe Rogan. I think he does his job better than anybody else could. I just think that we were both coming through a maturing stage in our careers and he said what he said and I said what I said. And we've both grown since then.
'Nonetheless day will bring hope to me,' said Aragorn. 'Is it not said that no foe has ever taken the Hornburg, if men defended it?' 'So the minstrels say,' said Éomer. 'Then let us defend it, and hope!' said Aragorn.
Today I dialed a wrong number... The other person said, "Hello?" and I said, "Hello, could I speak to Joey?"... They said, "Uh... I don't think so... he's only 2 months old." I said, "I'll wait."
Hope is not attached to outcomes but is a state of mind, as Vaclav Havel says, "an orientation of the spirit." And I have faith; maybe more than hope, I have faith. I think of my great-grandmother, Vilate Lee Romney, who came from good pioneer Mormon stock. She always said to us that faith without works is dead, so I think if we have hope, we must work to further that hope. Maybe that is the most important thing of all, to have our faith rooted in action.
As a youngster, I think I said I wanted to be a journalist, but that's a disguise for being a writer.
Love's arms were wreathed about the neck of Hope, And Hope kiss'd Love, and Love drew in her breath In that close kiss and drank her whisper'd tales. They said that Love would die when Hope was gone. And Love mourn'd long, and sorrow'd after Hope; At last she sought out Memory, and they trod The same old paths where Love had walked with Hope, And Memory fed the soul of Love with tears.
"Hope, you see, Wal'r," said the Captain, sagely, "Hope. It's that as animates you. Hope is a buoy, for which you overhaul your Little Warbler, sentimental diwision, but Lord, my lad, like any other buoy, it only floats; it can't be steered nowhere. Along with the figure-head of Hope,' said the Captain, 'there's a anchor; but what's the good of my having a anchor, if I can't find no bottom to let it go in?"
Hope is a terrible thing, she said. Is it? Yes, it keep you living in another place, a place which doesn't exist. For some people it's better than where they are. For many it's a relief. From life, she said. A relief from life? Is that living? Some people don't have a choice. No and that's awful for them. Hope is better than misery, he said. Or despair. Hope belongs in the same box as despair. Hope is not so bad, he said. At least despair has truth to it.
Musicians in my day had nicknames. My name was "Satchel Mouth," like a doctor's satchel. When I went to England this fellow was strictly English, and he was editor of the newspaper there. He shook my hand after I got off the train and said, "Hello, Satchmo." So right away my trombone player said, "Mmm, the man thinks you have mo' mouth than Satchel Mouth." So I was stuck with it, and it turned out all right.
I think there is hope for you yet, Will Herondale. I will try to learn how to have it, without you to show me. Tessa, Jem said. She knows despair, and hope as well. you can teach each other. Find her, Will, and tell her that I loved her always. My blessings, for all that it is worth, is on you both.
I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so", because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband.
I mean, I think there's a lot of hope in my work. I don't think I'm a total pessimist, so I think you can find hope in all my films. Some more than others, but there's definitely... I think we want to convey the feeling of hope with the montage at the end.
In relation to the question of hope, I think the only hope we have is hope against hope. We hope for a better world. But of course we can do better than just hope.
That's you, right?' he asks me. 'Yeah.' 'Cute. Not that I, uh, think little kids are cute. Just that you were cute. I mean, you can see how you turned out to be so...oh.
This site uses cookies to ensure you get the best experience. More info...
Got it!