A Quote by Julia Davis
I love watching programmes about food. I always think, 'When I'm old, I'll take up baking.' There's something calming about watching the recipe and thinking, 'I'm going to make that' - and it's never going to happen.
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It's always surprising to be reminded that while you're watching and thinking about people, all knowing and superior, they're watching and thinking about you, right back at you.
My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.
You never know where your next movie is going to come from. You just have to fall in love with something because it's going to be taking up every moment of spare time in your life for about two years. You're going to be dreaming about it and thinking about it and becoming obsessed with it.
We always hark back to what we used to love watching as kids: 'Noel's House Party,' 'Don't Forget Your Toothbrush,' shows that had that live excitement about them. You never knew what was going to happen and I found that really engaging.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
I'd never think about not hooping. I'm always thinking about doing something with hoops or what can I work on today that's going to make me better for tomorrow.
There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
For me, I never take a job thinking it's going to grab ratings or that it's even going to be a success. I don't. I just take the job because I love the character. Or I love the script. Maybe I love the director. But whatever I do, I never think about how it will do. That is not in my hands.
I think when YouTube first came out, everyone was thinking people were just going to watch five-minute shows from now on and that people didn't have the patience anymore to watch longer programmes. But instead, everyone is binge watching and consuming ten-hour programmes and box sets of shows, so it is really interesting.
I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.
It's easy to sit there in the dugout when the game's going on and talk, chitchat about this and that. But I think paying attention, watching the pitcher, watching the game develop, putting yourself in situations you're not even in yet, anticipating the game, stuff like that, I think that really helps you take that extra step.
The civil rights movement is something I've looked into a lot. When I was about 23, I started reading up on it all and watching TV programmes.
One of my favorite things in books is watching someone make the mistake. You know it's going to happen. You keep thinking: 'Don't do it!' But of course they're going to do it. It's riveting. You learn through them that it's okay. It's the ecstatic fall, where you watch someone make that terrible decision, and there's such pleasure in it.
The truth is, normal might take years. Normal might never happen. But it’s definitely not going to happen if I lounge around here watching soaps and avoiding life. I’m going to school today, end of story.
I'm always watching. I'm watching everybody. San Antonio, Houston, Golden State, Washington, Boston, I'm watching everything. And my mind is always going: it's always running, and you're always trying to get an advantage somehow.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
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