A Quote by Julia Davis
I'd love to do more 'Nighty Night,' but that's always down to commissions, really. It's weird as well because everyone's moved on. I don't know if I could get all those people back.
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This thing with everyone knowing you, it's weird, because people have this one-sided relationship where they look at your picture and feel they know you more than someone they actually know. I don't really know myself that well.
This thing with everyone knowing you it’s weird, because people have this one-sided relationship where they look at your picture and feel they know you more than someone they actually know. I don’t really know myself that well.
I always think about what it means to wear eyeglasses. When you get used to glasses you don't know how far you could really see. I think about all the people before eyeglasses were invented. It must have been weird because everyone was seeing in different ways according to how bad their eyes were. Now, eyeglasses standardize everyone's vision to 20-20. That's an example of everyone becoming more alike. Everyone could be seeing at different levels if it weren't for glasses.
I get even more nervous singing when everyone's fallen silent, but I really try to communicate the meaning of the lyrics, and there's people there listening to that, and if they're moved by it, then I'm moved as well.
People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!
Once I had started film, I suddenly said, 'Wow, I love it.' I moved there from New York. But I've always gone back to the theater, and it is more satisfying, really, because you get to give a continuous performance - no sequels.
We could go back to your house. I can stay with you always. We can know each others bodies in every way, night after night. I could love you. I could work, you would not be poor. I would help you.
I've been through everything. I always said I was like those round-bottomed circus dolls — you know, those dolls you could push down and they'd come back up? I've always been like that. I've always said, No matter what happens, if I get pushed down, I'm going to come right back up.
It's really weird to be in more than one franchise because an actor's life is so nomadic, and so it's a real privilege to get back together with people.
I know I can do so much more than this, I know that I could be a life force, could love with a heart full of soul, could feel with the power that flies men to the moon. I know that if I could just get out from under this depression, there is so much I could do besides cry in front of the TV on a Saturday night.
Ulysses could have done with a good editor. You know people are always putting Ulysses in the top 10 books ever written but I doubt that any of those people were really moved by it.
Music has always moved me really deeply, and it's always been more about that than about the desire to rebel or annoy people (although, I've had my moments of that as well). I think it was just years of maybe moving slightly away from it but always coming back to it as the thing that I'm best at.
If somebody does a task really badly, then that's better for us than if they do it really well. We always tell people when they get back to the green room after doing a task that they've cocked up, 'You've actually really won that task, because people remember them more than the geniuses.' No one likes the clever people.
The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.
I love all Daphne du Maurier's stuff. And just enjoying period dramas, really... wanting to do something drastically different from 'Nighty Night', the chance to write very different language.
You know how mountains get moved? Everyone who can move a couple, move a couple. Those who can move rocks, move rocks. Those who can move boulders, move boulders. That's how mountains get moved. If every one of us did everything we could, I believe we would be in a different world.
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