A Quote by Julia Fox

I'm always a big-picture kind of gal. I always think in the long term, and I like to see things through from beginning to end in my head. — © Julia Fox
I'm always a big-picture kind of gal. I always think in the long term, and I like to see things through from beginning to end in my head.
I am of the opinion, and have been for a long time, that any kind of big technological move is almost always positive in the short term but inevitably somewhat negative in the long term. And I think there are many examples of this in every possible context.
I've always been a one guy type of gal and I've always been very long-term relationships.
When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."
I've always loved California; I'll probably always live here on the West Coast, at least long-term. But I do love coming to New York. The energy is totally different, and I always have a lot of fun there. I always end up staying up all night! I look at my friends, like, "How do you guys do this every day?"
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
I always write these movies that are far too big for any paying customer to sit down and watch from beginning to end, and so I always have this big novel that I have to adapt into a movie as I go.
Mom. She always says to look at the big picture. How all of the little things don't matter in the long run. . . I know that Mom is right about the big picture. But Dad is right too: Life is really just a bunch of nows, one after the other. The dots matter.
I put little goals in place every day, and I think if you can kind of keep to the small things it's easier to capture the big picture at the end.
Sometimes it's just enough for me to have the idea. I don't need to see it through to the end. When it actually happens, I'm always disappointed because it's never like what I imagined in my head. When an idea becomes a reality, then it's a job. I'd rather just think about it.
As long as we're having contact and as long as there are collisions, there's going to be head injuries. What the long-term consequences are of that, we're beginning to learn, and that definitely will have an impact on the game as we know it.
I think if you have a comic perspective, almost anything that happens you tend to put through a comic filter. It's a way of coping in the short term, but has no long term effect and requires constant, endless renewal. Hence people talk of comics who are "always on." It's like constantly drugging your sensibility so you can get by with less pain.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
When you're a regular gal, you look in the rearview mirror, and in the bright daylight you see that line around your mouth, but when you're an actress and you see that line up on the big screen, it's, like, seven feet long.
it is always easier to see the beginning from the end, than the end from the beginning.
The key is that you never check the championship. You always carry it on. So when you're going through TSA, it's always a treat because, for some reason, they always like to pull it out and hold it way above their head and throw it over their shoulder and put it across their waist, see what it looks like on them.
I always feel that the best kind of producing - and frankly, it has to do with what I like to do - is you're the big-picture person.
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