A Quote by Julia Garner
My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.
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'Martha Marcy May Marlene' is excellent. I adore how the film is both grounded in realism and, at the same time, it has an ethereal, nightmarish atmosphere.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
Roger Ebert and Gene Siskel first championed my film, 'Hoop Dreams,' which was essential to its success. Roger remained a great supporter of my work throughout my career, and I'll never forget him tweeting about 'The Interrupters' right before its premiere at the Sundance Film Festival in 2011.
When I graduated from Brown after majoring in women's studies, I made my first PBS documentary, 'Women of Substance.' My first feature documentary was called 'American Hollow,' which I did for HBO and was at the Sundance Film Festival.
There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
I saw 'Birth' at the Sundance Film Festival with a thousand other strangers, and I couldn't believe that was me in the film. I didn't recognize myself.
I'll just say it: I love Sundance; my very first film won Sundance.
I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
The only Sundance [2011] film about cults that could actually have life as a cult film, THE WOODS has the greatest comic insight into why our current culture might inspire a search for meaning in the first place.
With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival.
This is an old film from donkeys' years ago, but the first film I ever... the first time I ever cried watching a movie was when I was watching 'The Champ.'
I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I've worked at this film festival in Telluride called the Telluride Film Festival. Been there since 2002. I used to make popcorn. I was an usher. Cleaned toilets, everything. Grew up there as a kid.
[The Raindance film festival] is literally the first time we've ever screened the movie ["Selling Isobel"] to anyone, and people are a little bit traumatised by it.
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