A Quote by Julia Gillard

The great thing about music is that whatever you're into, you see new possibilities. — © Julia Gillard
The great thing about music is that whatever you're into, you see new possibilities.
Coming out of the trance of denial is painful. But crises offer us opportunities to rethink our lives. The best thing about despair is that it wakes us up. We can see the world more clearly and open to new possibilities...And we can find new joy in the ordinary.
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
While we rejoice in the new possibilities open to humanity, we also see the dangers arising from these possibilities, and we must ask ourselves how we can overcome them.
I'm not a career kind of person. When I saw new music, new trends coming in, I didn't see any place for me. And I didn't think about it as a career loss, because I was married - I have a great- grandchild now. The low points were when I lost people that I really cared about.
The great thing about doing a series about the Broadway community is that the possibilities are endless.
If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.
In a way, to have whatever people talk about as "crossover success," I think it means you start making bad music. I mean, when I'm flipping through the channels and see the VMAs or something, I don't really see any music there.
It's not only moving that creates new starting points. Sometimes all it takes is a subtle shift in perspective, an opening of the mind, an intentional pause and reset, or a new route to start to see new options and new possibilities.
We fear our highest possibilities. We are generally afraid to become that which we can glimpse in our most perfect moments, under conditions of great courage. We enjoy and even thrill to godlike possibilities we see in ourselves in such peak moments. And yet we simultaneously shiver with weakness, awe, and fear before these very same possibilities.
One great thing about my mom, about the business, is that she has a really great head on her shoulders about everything and always has been 100 percent about the music and not about the other junk.
The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.
The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.
To wear a beautiful new garment is like wearing a new idea, and I see them as the same thing. Opening my closet is a form of meditation. I pick whatever I feel is right for the day.
We have new media, new forms of connectivity, and an enormous transference of knowledge. When you study evolution, you see that when new genes meet and multiply, they create new contexts and new species. In a sense, the gene-pool of knowledge and of people connecting at all levels is literally spawning a kind of mind-pool of possibilities.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
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