A Quote by Julia Glass
My publisher is generous with deadlines, which are never set in stone. Some writers need that pressure, but I am more productive when there's less panic.
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I think you can train yourself to block out some of that pressure and replace it with confidence. It's about preparation, and the more prepared I am, the less pressure I feel and the more confident I am. As your confidence grows, it's only natural that the pressure you feel diminishes.
I think we could get people to both be more productive and happier. We're less productive as individuals. We're less productive as companies, and we're more miserable.
It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.
The only situation which might justify panic is one in which panic is likely to help. Such a situation never arises. Though pretended panic may sometimes cause a useful diversion, real panic can never be anything other than a waste of energy.
Faced with a time shortage, we squeeze tasks into the nooks and crannies of our calendar, leaving less and less time to switch between them. As a result, we become less and less productive exactly when we need to be most productive.
I think if I was less exigent with myself, maybe I would be more productive, because I would put less pressure on my shoulders.
All writers are forced to live within deadlines, and deadlines determine how good they can be.
As a writer who happens to be a woman, I am constantly devalued - even by other writers who happen to be women - simply because of a marketing decision. Am I truly less talented, less audacious, less erudite, less brave than my more quote-unquote literary colleagues?
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
I wonder why anyone would hesitate to be generous with their writing. I mean, if you really want to make a living, go to Wall Street and trade oil futures ... We're writers. We're doing something that is inherently a generous act. We're exposing ourselves to the muse and to the things that frighten us. Why do that if you're not willing to be generous? And paradoxically, almost ironically, it turns out that the more generous you are, the more money you make. But that's secondary. For me, the privilege of being generous is why I get to do this.
Doing more and more with less and less is one form of being generous. In fact, the easiest way to become rich is by being generous.
Already the writers are complaining that there is too much freedom. They need some pressure. The worse your daily life, the better your art. If you have to be careful because of oppression and censorship, this pressure produces diamonds.
Our parents set the moral tone of the family. They expected more of some of us and less of others, but never less than they thought we were capable of.
You don't have to label yourself, because it's not set in stone. It's so fluid, and there's so much pressure on kids to label themselves and say, 'This is what I am; this is what I like.'
There are probably writers who are much more visual than I am and some who are less. I like to think of myself as a happy medium.
I am convinced that the majority of people to-day have good, generous feelings which they can never know, never experience, because of some fear, some repression. I do not believe that people would be villains, thieves, murderers and sexual criminals if they were freed from legal restraint.
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