A Quote by Julia Glass
There you are, diligently swimming a straight line, minding the form of your strokes, when you look up and see, always a shock, the currents you can't even feel have pulled you off course.
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I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.
From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
Combine speed is overrated. It might give you a good look to see what you can run in a straight line, but football's not played in a straight line.
This house was our dream-the gardens, the study, even the swimming pool. Even though I can't see John when I wake up in the morning, I can always feel him here with me.
They sell these golf aids that attach to your knee and your head and are supposed to keep your swing correct. It's futile beyond belief. I've never bought any, but I could watch those ads for 24 hours straight. People with straight faces saying this thing will take strokes off your game - that's my peculiar obsession.
But actually time isn't a straight line. It doesn't ave a shape. In all senses of the term, it doesn't have any form. But since we can't picture something without form in our minds, for the sake of convenience we understand it as a straight line. At this point, humans are the only ones who can make that sort of conceptual substitution.
Look - The moon thumbs through night's book. Finds a lake where nothing is printed. Draws a straight line. That's all it can. That's enough. Thick line. Straight toward you. - Look.
We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.
When you're a regular gal, you look in the rearview mirror, and in the bright daylight you see that line around your mouth, but when you're an actress and you see that line up on the big screen, it's, like, seven feet long.
People always think that history proceeds in a straight line. It doesn't. Social attitudes don't change in a straight line. There's always a backlash against progressive ideas.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
I see that the path of progress has never taken a straight line, but has always been a zigzag course amid the conflicting forces of right and wrong, truth and error, justice and injustice, cruelty and mercy.
There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.
Concrete you can mold, you can press it into - after all, you haven't any straight lines in your body. Why should we have straight lines in our architecture? You'd be surprised when you go into a room that has no straight line - how marvelous it is that you can feel the walls talking back to you, as it were.
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
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