A Quote by Julia Glass

I do gravitate toward 19th century writers, and I never mind being compared with some of the most memorable writers from that era. I mean, George Eliot is my absolute heroine.
Writers in the nineteenth century - people like George Eliot and Flaubert - were accustomed to addressing particular communities with which they shared not only linguistic meanings but also an experience and history. Those communities have progressively split in the twentieth century, and grown more heterogeneous, and writers emerging from minority communities have found themselves addressing audiences closer to their experience and history - a phenomenon derided by conservative white men as identity politics and multiculturalism in the arts.
As I've gotten older I've become a devotee of 19th-century authors, such as Charles Dickens and George Eliot.
There's such a wealth of literature from the 18th century and 19th century, George Eliot... Jane Austen... that's all about a genteel high society, relationships, all of that stuff. There wasn't ever really, apart from Dickens, a literary evocation of working class life.
I would say, compared with the 19th century, compared with most previous history, this is as good or better a society than any which man has ever made. But that doesn't mean it is such a good one.
The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.
While every historical era has its unique appeal as a setting for tales of crime and detection, the 19th century is exceptional - it brought about so much change on social, political, geographical, and technological fronts that the mix proves to be an irresistible one to mystery writers.
To be an Irish poet after that 19th century in which there was such a struggle toward the light, I think still will always be in the hearts of the writers of my generation and the generations before and hopefully the generations after.
Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.
The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
My professional and human obsession is the nature of language, and my best relationships are with other writers. In many ways, I know George Eliot better than I know my husband.
I value my correspondence with writers...I was in New York and had lunch with Oliver Sachs and compared notes with him - he is someone I really like. I love staying in written correspondence with some writers. That's enough for me.
Indonesian writers are so far behind in terms of global exposure compared with the Philippines and Japanese writers.
Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
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