A Quote by Julia Glass
Sometimes the writing leads to the revelations, not the other way around.
Related Quotes
I live opposite an amazing wood in London, and you can usually find me sitting there for hours and sketching. Sometimes the icon or symbol leads me to the face, but usually it's the other way around.
Sometimes I just wonder if I'm being led by variety. If one film leads me down one path, sometimes I just want to turn around and head the opposite way for the next project. I hope that's not the case, but sometimes I suspect that.
Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
Self-acceptanc e leads to success, not the other way around.
Directing a movie precludes me from being involved in any greater way. But, the job was never to do more, it was always to enable. Sometimes as a producer, you're creating and writing it, or sometimes you're writing and directing it, or other times you're there from the very beginning.
Once I get my writing done, then I can turn my attention elsewhere - and not the other way around. The writing has to be the foundation.
The way of acquiescence leads to moral and spiritual suicide. The way of violence leads to bitterness in the survivors and brutality in the destroyers. But, the way of nonviolence leads to redemption and the creation of the beloved community.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
Wait, I got it. We, uh, won the battle and lost the war, or was it the other way around? 'Cause around here, it's hard to tell sometimes.
As a species, we've always been interested in what happens when we're no longer around, all the way back to 'Revelations' in 'The New Testament.'
Sometimes I hear a voice - sometimes it's the voice of someone I know. And sometimes that leads to a character, which leads to a story.
Just the fact that there's motion and sound, took me a long time on Walking Dead to get used to the fact that in television, characters don't have to say things. In comics, people have to say I feel this way, or I want to do this, and you can do so much with gesture and movement and facial expressions that you can do sometimes facial expression stuff in comics, but you can do so more if somebody can move around without actually speaking. That leads to a different style of writing between the two mediums.
Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.
At first, teaching was more or less a straightforward way of making a living and having access to institutional resources while writing - aka libraries. And that was not inconsiderable. But it didn't in any way touch the writing. Maybe it would push the writing aside sometimes, but mostly it was fine.
One way leads to acquisition, the other leads to nirvana. Realising this a monk should take no pleasure in the respect of others, but should devote himself to solitude.
Humour is a way of relating and connecting to people, especially when you're a minority or misunderstood. It has the power that other forms of conversations or writing don't have. With all the problems I had, sometimes the only way of coping with it is to make fun of yourself.
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