A Quote by Julia Holter
I do develop characters for songs, and I think of everything as storytelling, in a way. But I don't plan out what they're going to sound like. I just sing over what I've done.
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Everything I've ever done is out. I don't have boxes of unreleased stuff. There's nothing in the files. I can never keep anything unless I don't like the sound of it or it didn't work. If I can sing it to an engineer, I can sing it to anyone.
Growing up people would tell me: 'Yo, you only can do one thing. If you're going to rap, just rap. If you're going to sing, just sing.' It boxed me in. But I just figured out a way to show everything. It's like if you have a job interview, you want to present as many skills as you have.
I don't like to sing things that just sound like they're going straight down the tubes, and they're circling the drain, and there's no hope. It doesn't feel good in any way to sing.
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
You don't really learn how to write songs; you learn to develop as a writer, and you get to meet lots of musicians and figure out what kind of sound you want. You have the time to just develop and try different styles, and that's what I did.
My aim in times to come is not to just work with Muslims but to actually sing songs for everyone and sing songs in which people all over the world can relate to.
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