A Quote by Julia Holter
I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.
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I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
Nothing is too controversial, but you have to think about how to do it with sensitivity. I don't try to be insensitive. I think really, really carefully about exactly what things mean and how they will affect people.
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
I want to be really special, I want to be really good. It's not enough to be famous for me. Famous is empty so quickly, it's not what people think it is. It's wonderful, but if you're famous and you feel that you're an artist inside and everyone thinks you're just a celebrity, it's really painful.
The madman theory can work, but it only works if it's strategic. And I think one of the problems that President Trump faces is people don't really know how much strategy is here and how much is he just sort of talking off the top of his head. And I think North Korea is a really classic case of a potentially insoluble problem, a problem that you have to manage.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
The problem with America today is that too many people know too much about not enough.
I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
Really I've just gotta be making really great music that I love and not worrying too much about what other people are gonna think about it.
Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.
I think that we Americans, in particular, tend to think too directly about problems. If there's a problem we want to basically go in with a screwdriver or else drop bombs on it. A better way to solve problems is to think indirectly and try to change the environment. So I think you can gain much better self-control not so much by working on yourself as by looking at the situations you're in and the people you hang around, and changing your environment.
There's a lot of music nowadays with people singing about how amazing their clothes are and how incredible their shoes are and how much jewelry they might be wearing or how much jewelry they want, how much money they have and the club that they're in and the alcohol that they're drinking. I think that's showing off. I don't think it's necessarily all that honest or all that interesting.
I was very, very concerned about President Obama and how much executive order and how much executive power he tried to exert. But I think I want to be, and I think congress will be, a check on any executive, Republican or Democrat, that tries to grasp too much power. And really, a lot of the fault is not only presidents trying to take too much power, it's Congress giving up too much power.
I don't think too much about how it might exist in the world in a commercial sense - I more just try and focus on making music that I love and trying to put it out into the world.
Men shouldn’t try too hard, or think about what they wear too much. I like when there’s something about a look that throws it off a little – perfection is really imperfect.
For years, I wrote songs to try to get cuts or try to have hits or try to appease a label or to be famous. I was learning a lot of valuable tools about structure and how to articulate. I was getting really good at that.
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