I think my music is experimental, playful, challenging, focused, fun. I don't want it to be thought of as trying to appeal to a certain type of person or being very cerebral.
I think it's challenging trying to describe my sound. Not because I'm making some experimental martian music, but because it's a little broader. The things that you've heard are only fragments and small fractions of what you're going to hear.
I mean, I really don't want the federal government to be determining whether or not a person who feels certain ways about the environment or about animals or about certain religious issues should be considered an extremist. That to me is a type of thought control, mind control, which is very dangerous.
Books are not brands. Some people are very willing to see themselves as a brand, but you can't be a certain type of writer to a certain type of person all the time. It will kill you.
My first year making music was very experimental. I was trying to find my sound. My second year, I was more in my element. I knew what type of production I wanted to go over and the topics I wanted to address.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
If there's a certain song that I want to reach a certain person or certain type of person, that's when I play it for people.
I want to make music for everyone. I'm not trying to start a super exclusive group. I don't want a clique of people where you have to wear a certain type of clothes to come to our shows, or you have to be the ages of this and this.
A lot of games that preceded 'Warcraft' made the assumption that this type of game wouldn't appeal outside the hard-core audience, so that's what they targeted. We thought this type of game could appeal to more people if we made it easier to use.
You want to think about certain styles of music as being reflective of a certain culture or a certain time or a point of view. You don't want it to be just an intellectual exercise.
A highly successful person is very focused on what they want to be doing. The weekend and the week look very similar: They are focused on creating the life they want.
My father was very strict, a very militant parent, because he wanted us to be very focused kids. He sold the televisions, so we didn't watch TV. And he didn't want any music playing that wasn't gospel or inspirational music. In fact, he didn't even like a lot of gospel because he thought it was too bluesy.
I'd like to think that I'm a calm and sweet person. I tend to be very playful at home with my children, but in life... we have to fight our battles - our work battles, our political battles, our personal battles - and we're focused.
I was always the type of person, and still am the type of person, that I cannot be creative and use substances. So from a very early age I knew that if I wanted to make music, successfully, in any capacity, I was going to have to get sober.
As for me, I want to have fun while I'm working. Now not everyone thinks physics is fun, but I do. I think experimental physics is especially fun, because not only do you get to solve puzzles about the universe or on Earth, there are really cool toys in the lab.
I was being rejected all the time. Agents would say, 'I don't think you're the type they're looking for.' I was always like, 'You think? I don't want you to think. I want them to think that.' This business is all about someone's opinion, but not the agent or the manager's. How do they know? They're not that person.
Ironically, my tastes aren't that experimental, and I wouldn't describe my music on the surface as being overtly experimental, either.