A Quote by Julia Kent
I find that I'm always struggling with the noise of the city. When I get a good take, there will be a horn or a siren or something. So it makes me very conscious of outside sounds, which in a way maybe led me to incorporate the field recordings.
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I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
I also just get so ecstatic hearing and feeling the noise in general and it still makes me giggle inside playing certain sounds. One of the downsides is that in order to produce certain sounds, I'm totally using my arms the wrong way and sometimes that worries me. But then that physical strain puts me in a different state of mind to bring out different dimensions in the music, I suppose.
We need to be clear that there is no such thing as giving up one's privilege to be 'outside' the system. ONE IS ALWAYS IN THE SYSTEM. The only question is whether one is part of the system in a way which challenges or strengthens the status quo. Privilege is not something I take and which I therefore have the option of not taking. It is something that society gives me and unless I change the institutions which give it to me, they will continue to give it, and I will continue to have it, however noble and egalitarian my intentions.
there was something about that city, though it didn't let me feel guilty that I had no feeling for the things so many others needed. it let me alone. sitting up in my bed the lights out, hearing the outside sounds, lifting my cheap bottle of wine, letting the warmth of the grape enter me as I heard the rats moving about the room, I preferred them to humans. being lost, being crazy maybe is not so bad if you can be that way undisturbed. New Orleans gave me that. nobody ever called my name.
There are certain recordings where my voice sounds good to me. Singing live I really enjoy, but I don't know how good it sounds.
I have always been conscious of the importance and the strength of nationalism, and this has led me straight to the acknowledgment of the nationalism of the Palestinian people. I believe there is no way around this: We have to have a solution based on two national states, which will hopefully live and grow together and establish a relationship between them in something like a European Union.
Early on in life I knew that I was a writer, that I just wanted to write, I love books, I love literature and after graduating college, I kind of wandered around in Europe learning languages and writing novels and never led anywhere. And then I got into like journalism in New York as a way to kind of maybe find my way into the field and it wasn't a good fit. It just wasn't right for me.
Some days you get up and put the horn to your chops and it sounds pretty good and you win. Some days you try and nothing works and the horn wins. This goes on and on and then you die and the horn wins.
The beautiful gift of my husband is that he saw me the way I've always wanted to be seen and there's something really powerful to that. When you find true love I really believe that that's what it is at its core. He makes me want to be a better person, but then he also sees me and reminds me that I am a good person.
To get a script like 'Death Proof' and to get cast in it just affirmed that I want to do character work; that's where my heart is. Maybe I will get to it again, maybe I won't, but it's what I like to do is play something a little outside of myself. This solidified the desire certainly for me.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
Christianity has a built-in defense system: anything that questions a belief, no matter how logical the argument is, is the work of Satan by the very fact that it makes you question a belief. It's a very interesting defense mechanism and the only way to get by it -- and believe me, I was raised Southern Baptist -- is to take massive amounts of mushrooms, sit in a field, and just go, "Show me.".
If something sounds good, and I get a good feeling about it, I'll take it, irrespective of the fee being offered to me.
I don't go out of my way to get noticed. When I'm in Scotland it's tough, because loads of people come up to me. They're always really polite. It's nice, it's fun and good to speak to people who aren't involved in tennis, but some have this habit of just staring at me and that makes me really self-conscious. I'd rather they came up and said hello.
The universe, in a big bang mode, is still expanding, which means it's cooling down, and evolution seems to be going against this; we're almost battling it. That led me on to a more creative, philosophical way of thinking, which is what led into influencing some of the songs, which is, maybe this is what our struggle is.
For me - showing a half-finished manuscript is tricky. Just as a bird will get spooked and abandon her eggs if some outside party comes around and makes too much noise or pokes around the nest too intrusively - well, that's what it's like for me if I show work too early and I get a lot of editorial suggestions at the wrong time.
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