A Quote by Julia Kent
Last time I was recording, I was trying to loop on the computer, but it's really difficult because it's really different from looping on hardware.
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Tuscan sausages are smaller than their American cousins, each one demarcated with a string, a graceful loop drawn tightly into a knot - looping and tightening, looping and tightening, a symmetrically floppy, aesthetically appealing rhythm.
I'm still trying to decide. It's a really difficult one because I really enjoy my time in the Air Force. And I'd love to continue it. But the pressures of my other life are building. And fighting them off or balancing the two of them has proven quite difficult.
It's always difficult, especially the U.S. Open, the last of the Grand Slams. It's always tough because you know, the season is very long. I really played a lot this year. Sometimes it's really hard to stay focused all the time because you're really tired after the whole season.
In school, I did a lot of computer work. I'd take splices from Kurt Weill songs and loop them in bars, in beats of seven, trying all different kinds of things.
I find it ironic and unfortunately because people are very vulnerable to populism now these days because they are desperate, we had really difficult times and we had difficult decisions to make. It is natural and it is logical to have people trying to not to vote for Syriza but to vote against the big parties that were in the Government for the last decade. So it is something that you can explain that way.
I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
When I was at Tek, I was frustrated that computer hardware was being improved faster than computer software. I wanted to invent some software that was completely different, that would grow and change as it was used. That's how wiki came about.
We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.
We're all here for a limited amount of time, and life is difficult - not unfair, but difficult. The key is to really confront our fears because when we do, and when we look at them, we really begin to realize that we are capable of handling them.
I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
Sometimes there are times you actually don't want to be in the information loop on some rumors; because once you're in the loop, then if something leaks, you're one of the people in the loop.
I think everyone should get a little exposure to computer science because it really forces you to think in a slightly different way, and it's a skill that you can apply in life in general, whether you end up in computer science or not.
Diving is a really, really difficult one because a player is the only one who genuinely knows whether they have dived. You can look at it at 40 different angles and not know. And you can just fall over, too.
I have, I think to do a play a year is very good if you can afford the time and the energy because it's difficult to do, it's really the actors medium of course, because you're really out there and nobody's yelling cut so, yeah I have.
Safety is not just about trying really hard and being really careful. You have to design technology that makes it possible for a computer to be safe.
I chose to go to Arizona, because it was an opportunity to make something that I've never done. To work with different people and to have a good time when you're recording and to not have the whole thing be some sort of editing process in front of a computer, but to actually try and capture some sort of spirit.
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