A Quote by Julia Leigh
I, myself, don't like to see a film on Friday night and then forget it by the next day.
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The media treats fear like a one-night stand. They jump on it and then they leave the next day and they forget - remember the Alar Scare? Things - see, nobody even remembers Alar.
With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.
I don't even think of myself as a quote, unquote star - that's really douchey. I think of myself as just like . . . a dance commander. You have to have dance parties all day and night, and you always have to be excited about having a dance party. You have to have a dance party in Milan one day, and then wake up and have a dance party at, like, four in the morning on national television in L.A. the next day. The hours are insane.
The man I marvel at is the one that's in there day after day, and night after night and still puts the figures on the board. I'm talking about Pete Rose, Stan Musial, the real stars. Believe me, especially the way we travel today, flying all night with a game the next night and then the next afternoon, if you can play one-hundred and sixty-two games, you're a man.
I go on the road all the time, but I'm only performing for two hours a night, and then I'll do a meet-and-greet, and then I'll get a bite to eat, get drunk, pass out, wake up the next day, sleeping the next day, sleeping off the hangover, and then I'm in the next city.
I may see somebody in a club one night and go, Wow, she's the most attractive girl I've seen in a long time. Then I'll see her the next night and be like, Oh no, I don't think so.
On 'The Daily Show,' we get so caught up in the day-to-day news cycle. A story breaks, and then the piranhas in late night, we all jump to the headline, and we dissect it, and then we have to move on to the next day.
I'm up all night, and then next thing you know, it's the morning, and I'll sleep, like, three hours. I'm a night owl. I'm usually in the studio at night working, and then I get home, I'm on my phone looking at Instagram pictures and buying stuff.
When I woke the next morning in my room at White's Motel, I showered and stood naked in front of the mirror, watching myself solemnly brush my teeth. I tried to feel something like excitement but came up only with a morose unease. Every now and then I could see myself-truly see myself-and a sentence would come to me, thundering like a god into my head, and as I saw myself then in front of that tarnished mirror what came was 'the woman with the hole in her heart'. That was me.
I was still with Sunderland at the time of my first cap in 2010, and I remember getting the text to let me know that I was going to be called up to the squad - it was a Friday night, and I was in a hotel in London because we were playing Chelsea the next day.
Whenever I'm offered a film, I think of a Friday and ask myself if I would go and watch that film or not.
You know, all is development. The principle is perpetually going on. First, there was nothing, then there was something; then-I forget the next-I think there were shells, then fishes; then we came-let me see-did we come next? Never mind that; we came at last. And at the next change there will be something very superior to us-something with wings. Ah! That's it: we were fishes, and I believe we shall be crows.
The fans [of Vampire diaries] that we have now are the people who will watch it any day of the week. So, my first instinct was a little bit of an ego tap, but the second I processed it, I was fine. The only weird thing will be maybe not having as many people live tweeting because they're actually out doing something more interesting on Friday night. I'm not going to sit at home, reading Twitter on Friday night.
If I go out one night, I must stay in the next. It's the same with my golf. If I play one day, I don't play the next. I try to pace myself.
With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.
There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
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