A Quote by Julia Leigh
I'm trying to get under people's skin in a way. I don't like films that go in one ear and out the other.
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I hate how old people get in my way when I'm swimming. You're trying to get into the zone and normally, if there's someone faster than you, you get out of the way, but old people don't; they're like, you can go round me. I give a little tut when I pass them.
I can't dance like Hrithik Roshan. I don't have the necessary glamour like some of the other actors do. They are able to sell themselves on that aspect. I do roles and films which are very realistic. So, in those films, if you don't get into the skin of it, they won't look convincing.
When I look for what I'm going to listen to I go backwards. I'm always going the other way you see. Most people are trying to figure out 'how do I get in the fast lane going that way?'. I'm going in the other direction. I wanna find the oldest thing to do.
A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that. But if you go to foreign films, if you go to documentaries, if you go to independent films, if you go to good films, you will become a better person because you will understand human nature better. Movies record human nature in a better way than any other art form, that's for sure.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another. It's not that they all get along, or that there aren't bad people or people we make fun of. But at the core, there's a kind of sweetness.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
I feel a lot of cities are like, you go and you are trying to do your art, and there are so many other artists there who are so brilliant. And it's kind of like they stomp on the scene, and they are like, "You're not already Picasso? Get the hell out of here!" And Memphis is like, "Well, you'll get there one day!"
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I suppose because I have a good ear, I could pick out harmonies and learn by ear... I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
Too much preaching nowadays pats the back and tickles the ear, but does not get under the skin. There is no conviction and therefore no conversion. I am thinking not only of the ministry of reproof and rebuke but also of the message of inspiration, of encouragement, of comfort. People go out of church at noon with the depths unstirred, the heart untouched, the conscience unpricked.
Certain people like the way I make films, and others do not. I've come to terms with the fact that there's no other way I can make films. If I tried to do it in a different way, it would never work.
I can't really remember my life without movies... [Growing up in Hollywood] is no different really. I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
In terms of my career, it began in earnest when I was living in Boston. I started doing my own films, working initially as an editor and editing assistant - briefly - at WGBH, as an editor on other people's movies, trying to get some experience under my belt, but eventually just doing my own short films, doing them my way.
I'm not out trying to prove anything. All I'm trying to do is go out there and help my team any way I can to win. I don't get caught up in the individual stats or the awards.
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