A Quote by Julia Loktev

This is going to sound cliché perhaps, but I would say to not second-guess yourself. It's difficult to talk about because gender does play into directing, of course, but it's very hard to talk about. Maybe the worst part is what you internalize.
Pathology is a relatively easy thing to discuss, health is very difficult. This, of course, is one of the reasons why there is such a thing as the sacred, and why the sacred is difficult to talk about, because the sacred is peculiarly related to the healthy. One does not like to disturb the sacred, for in general, to talk about something changes it, and perhaps will turn it into a pathology.
I think it is too hard for men to talk about gender. We have to let men talk about this... because we need men to talk about this if it is ever going to change.
Everybody gets all worked up about trash talk but it is what it is - it's talk... You ask any player, honestly, if trash talk's gonna affect how hard they play, because if a little trash talk affects how hard they can play, it just lets us know that they were holding back or weren't playing harder or as hard as they could.
It may be hard to remember how difficult it was for people to talk about HIV/AIDS back in the 1980's and because of both Ronald Reagan and Nancy Reagan - in particular Mrs Reagan - we started a national conversation, when before nobody would talk about it, nobody wanted to do anything about it. Something that I really appreciate was her very effective but low-key advocacy, but it penetrated the public conscience, and people began to say "hey we have to do something about this too.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
It's difficult to talk about [W.S.] Merwin's poems, as it's hard to talk about a feeling or a smell. It is what it is, but so much so that it overwhelms both sense and the senses. I aspire to something about his work, that imbues his poems, though I'm not sure I could say what that is. A purity, maybe, the kind of purity that comes from being beaten, like steel.
Men talk about masculinity through sports and clothes. They don't talk about gender, they talk about LeBron James and whether it's okay to wear lipstick and eyeliner. They're not getting to the question at hand, which is, "What does it mean to be a man when the traditional values of masculinity are eroding incredibly rapidly?'
On one hand, I think it's very important to talk about race and talk about gender, because if it's not talked about, then we won't progress. What I have a problem with is when it becomes another form of tokenization, of shrinking me into a symbol instead of a multilayered, female Asian artist.
People that are 40, they don't sit around at talk about gray hair and how it covers their hair. They talk about highlighting, of course they're covering gray, but they don't talk about it that way. They're going to get their colors because they need a little lightening.
Let’s talk, you and I. Let’s talk about fear. The house is empty as I write this; a cold February rain is falling outside. It’s night. Sometimes when the wind blows the way it’s blowing now, we lose the power. But for now it’s on, and so let’s talk very honestly about fear. Let’s talk very rationally about moving to the rim of madnessand... and perhaps over the edge.
The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I guess I will say, going back to the Judaism questions, there are mental reflexes or patterns that I think of as Jewish in my own feelings about mysticism and theology.Franz Kafka is someone I very much revere. If I believed in holy texts I'd go to him as a touchstone. Not that I read Kafka all the time at this point. In a way, this is what I most want to talk about and it's the hardest to talk about.
It's hard for men sometimes to talk about feminism, just as it's hard for people who aren't from ethnic minorities to talk about racial prejudice. It's a difficult conversation to have, but that doesn't mean we shouldn't have it.
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