A Quote by Julia Louis-Dreyfus

As an actress, it appeals to me because I love the idea of playing those in-between moments, the sort of behavioral stuff that one might not normally see. — © Julia Louis-Dreyfus
As an actress, it appeals to me because I love the idea of playing those in-between moments, the sort of behavioral stuff that one might not normally see.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.
I love playing the stuff with McGee at home with Delilah. We've had episodes where it shows them at home arguing over making dinner and things like that. I love doing that stuff because it's different than what the show normally does.
I'm not some sort of tormented soul looking for an identity in the roles I take. I became an actress because I just love dressing up and playing.
It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that.
My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
The people you might lose are the people who look at a marquee and are like, "Oh, John Wesley Harding is playing. I went to see him play 20 years ago." But if they see Wesley Stace, they might make absolutely no link between those two things at all.
I'm wired with a little bit of self-loathing, not that kind of self-loathing that paralyzes me, but it's there. The things I'm most loved for are sometimes the things that annoy me, not my favorite stuff, but those flashes of genius moments, they're called, I rarely see them as a one eureka light bulb idea.
If I were to have any sort of solid idea about which moments were God's manifestations, they would be those moments where one has practically nothing to do with what's going on. It's one of the best feelings in the world.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
I love playing serious! That's a relief for me. It means something. It sounds dead corny and cheesy, but on a day-to-day basis, you can't just let loose and cry. So as an actress playing those gritty roles, I can play it quite decently.
I can act every single day because I love it; it's just so liberating. It might be rare, but there are certain moments when you really don't feel like yourself. When you are in the character so fully, it's the best feeling ever. I so love it. Even if those moments come just once a day or every other day, they are just worth it.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I kind of shy away from that idea of being an actress because it seems to me to be such a cliché. Also, if you want to be a serious actress, then it's quite difficult to make that transition without being the blond bimbo in the opening credits. Maybe I'm being idealistic about acting and the idea that they would hire people purely based on their talent and not on their looks. But I don't know if I would be a very talented actress anyway.
It's not about the big deal you struck that day, it's not about the new car, it's not about the obvious stuff. It's about that little introspective moment you had in the middle of all that. Those are moments between the moments, and that's where life is.
My first experience with football was not very good because I didn't plan on playing football. I was just playing hookie one day and I was a sophomore and decided not to go to class. And the principal - normally he does his rounds and I thought I had him down pretty good where he was going to be - he sort of walked up behind me and scared me. He noticed I could run real fast. So that's how I got introduced to football.
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