A Quote by Julia Michaels
Once I heard how deep music could touch people and what it can make you feel and all of these emotions it could bring out, I was really fascinated with it all.
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I love to make music, and if I could do this forever I'd be happy. But if I can help any other kid out there or anyone - and show them that "life throws weird stuff at you all the time. It's OK to get down, but it's bringing yourself back from that that's really going to make you who you are," if I can help anyone out there feel a little bit less alone or make them feel like their voice is being heard through me or my music, that is the goal.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
I was an actor when I was a teenager and it could have been the direction that I headed in. But music and my relationship with music is quite deep, and it really is the nucleus of my creativity. So I gave up acting so I could pursue music fully, and I never thought about really going back. And then [director] Lee Daniels met me and wanted to work with me, and that's how it started.
I am one of those people who are out of touch with their emotions. I tend to treat my emotions like unpleasant relatives - a long-distance call once or twice or year is more than enough. If I got in touch with them, they might come to stay.
Music to me is a voice, my voice, it's my way of expressing what colours can I bring in, what emotions, what feel. What ideas can I bring out from these instruments that would make this song come alive.
People that could yodel always fascinated me. People that could sing loud always fascinated me. So I started trying to mimic at a really young age: 6, 7 years old.
There's a lot of really talented people in Utah, people who would really make an effort to make the music the best that it could be and as emotional as it could be.
Shadow had heard too many people telling each other not to repress their feelings, to let their emotions out, let the pain go. Shadow thought there was a lot to be said for bottling up emotions. If you did it long enough and deep enough, he suspected, pretty soon you wouldn't feel anything at all.
We may not usually think that we have an effect on the lives of others, but we would be amazed at how wrong we could be. We do not need to make great contributions to the world-just small, consistent ones to those whose lives we touch. We could help so many people by just taking the time to listen to them, comfort them or just bring them hope.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
Often, I could not find the range of emotions in classical music which I found in the The Rolling Stones and Hendrix. Listening to Bach, I found a deep spirituality and felt elevated above the human level. Yet the feeling and emotions attached to popular music speak to us far more personally, and I couldn't leave that behind.
Three 6 Mafia have been around for a long time; we've made a lot of music. Anybody's music can influence anybody. I've heard people say that our music has influenced such and such, and it could be true, and it could not.
This very deep, soothing voice came on, saying: "You now have permission to be strong and healthy and calm and relaxed. There's no place else to go. There's nothing else to do." I could feel it in every cell of my body, and I immediately realized, there's something here. I could feel my heart rate slow down. I could feel stress melting out of my body.
If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
There was a lot of pressure on me when I was 18, 19 to move to America. I went out for a couple of weeks and hated it. I thought I could go out my mind. You could really see how people could go off the rails.
I am a Justin Bieber fan, but I am also so fascinated by how weird pop music can be and how manipulated it can be, so I enjoy thinking about that side of it too. I feel bad for him. I could never imagine growing up that way.
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