I had all these singles come out within a two-month period, and then nothing for almost two years. You start to feel a little irrelevant. You realize how many people there are trying to be songwriters and how competitive it is and how political things can be.
A merchant is someone who figures out how to select, how to smell, how to identify, how to feel, how to time, how to buy, how to sell, and how to hopefully have two plus two equal six.
You'd be surprised how many writers, or how many actors, if they miss a paycheck or two, they've got nothing. As a writer or an actor you can have four or five jobs in one year and then have none for two years.
When you work so much in between starts, you realize how long the season is. It's exciting to look at and be a part of, obviously. It's almost like a challenge, to see how, from start to start, things may feel a little differently.
The imagination wants to construct the new worlds, no? Creativity is a solution. If I ask you, "What is your goal in life? How many years do you have to live before to die? How many years do you have? And what you will do with these years you have?" You have pressure there. "How you will realize a good life? How? Tell me!" Then, you start to open your mind.
One school invited me down, as two pupils had come out, and the headmaster didn't know what to do about it. I said, 'How many students here are gay?' and he said, 'Just these two.' Clearly not. 'How many gay members of staff have you got?' He had no idea. And this was a concerned man.
People always ask, "How do you get in the mind of the teen reader?" I think all human beings have these common threads. We struggle with the same things. We desire love and attachment. We have to sort out how much we want to be attached and be independent, how we manage need and being needed and being hurt. These are things that begin when we're - how old? Then in those teen years we start to really feel them.
You look around the world in 2013, and you say, 'How many prime ministers or presidents are in prison?' One or two. 'How many generals or bankers?' Two or three. 'But how many writers?' 850 or so.
I swear to God, that movie comes up more in my life than any other movie. Someone says 'Bowfinger' once every month or two to me. And how many years ago did that come out?
The money for my movies mostly come from talented and generous friends willing to work for almost nothing. As a producer, my job is to get as many people to give me things for free as I could. And most people are kind, and they know how hard this kind of thing is, so they are willing to help how they can, and reduce their fees how they can.
Heaven does nothing: its non-doing is its serenity. Earth does nothing: its non-doing is its rest. From the union of these two non-doings All actions proceed. All things are made. How vast, how invisible This coming-to-be! All things come from nowhere! How vast, how invisible No way to explain it! All beings in their perfection Are born of non-doing. Hence it is said: Heaven and earth do nothing Yet there is nothing they do not do. Where is the man who can attain To this non-doing?
I feel like I make a soundtrack for the come up, and I feel like there's so many people that's trying to figure out how to chase their dreams, or that are in the process of chasing their dreams, so they connect with that. And then being a singer, you don't really get to touch on nothing either.
I have a theory about marriage, Monsieur Boustouler. And it’s that nearly always you will know within two weeks if it’s going to work. It’s astonishing how many people remain shackled for years, decades even, in a protracted and mutual state of self-delusion and false hope when in fact they had their answer in those first two weeks.
How many migrants, how many immigrants, how many migrants and refugees fleeing war-torn areas in the Middle East are permitted into the Vatican? I'm not kidding. I think I saw a story where they're going to take ... two. It's obviously symbolic. They will take two at the Vatican, thereby setting an example and showing how it's done.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
Most of the things that really matter require faith. 'How do I know that my wife loves me?' 'How do I know that Mozart's 'Jupiter Symphony' is sublime and beautiful?' There are all sorts of things which come at a more lowly level than that - 'How do I know that two plus two equals four?' There are different layers, different types of knowing.
Most of the things that really matter require faith. How do I know that my wife loves me? How do I know that Mozarts Jupiter Symphony is sublime and beautiful? There are all sorts of things which come at a more lowly level than that - How do I know that two plus two equals four? There are different layers, different types of knowing.