A Quote by Julia Ormond
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
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The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
Whatever character you play, remember they are always doing something they are not just talking.
If I'm playing a fat person, then I actually eat a lot of cakes and as much as I can. If I'm playing a person in shape, then I'll increase my intensity of boxing training. It's really dependent. It kind of allows me to take whatever specific character I want.
I look at it scene-by-scene. Whether it's a historical character or not, whatever, on the page is one thing and delving into the history or somebody is one thing, but making something work for an audience in front of a camera is another exercise and you bring whatever authenticity you can to it.
I always like to play roles where I either love the character or think that it's a story that I can tell better than anyone else. There are always reasons for me to do whatever I do.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
If you're playing a character who says whatever he wants, I felt free to say whatever I wanted on set.
It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.
Everybody has their favorite character.That's the only way I pick, whatever is going on in society, whatever I think folks will laugh at that's what I come up with.
When you're a VJ, you can say whatever you want, dress whatever way you want to. You play your own character.
I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
I always thought it would be really cool to be playing the drums in the show and then have your astral body or whatever travel all through the audience and dig whatever it's like out there.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
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