A Quote by Julia Peterkin

Some women don't care how their quilts look. They piece the squares together any sort of way, but she couldn't stand careless sewing. She wanted her quilts, and Joy's, made right. Quilts stay a long time after people are gone from this world, and witness about them for good or bad. She wanted people to see, when she was gone, that she'd never been a shiftless or don't-care woman.
After all, a woman didn't leave much behind in the world to show she'd been there. Even the children she bore and raised got their father's name. But her quilts, now that was something she could pass on.
Hillary Clinton said that her childhood dream was to be an Olympic athlete. But she was not athletic enough. She said she wanted to be an astronaut, but at the time they didn't take women. She said she wanted to go into medicine, but hospitals made her woozy. Should she be telling people this story? I mean she's basically saying she wants to be president because she can't do anything else.
When Cath's eyes closed, her eyelids stuck. She wanted to open them. She wanted to get a better look at Levi's too-dark eyebrows, she wanted to admire his crazy, vampire hairline--she had a feeling this was never going to happen again and that it might even ruin what was left of her life, so she wanted to open her eyes and bear some witness.
You know, Emily was a selfish old woman in her way. She was very generous, but she always wanted a return. She never let people forget what she had done for them - and, that way she missed love.
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
Life had stopped for her a long time ago. She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.
A woman can do anything. She can be traditionally feminine and that's all right; she can work, she can stay at home; she can be aggressive; she can be passive; she can be any way she wants with a man. But whenever there are the kinds of choices there are today, unless you have some solid base, life can be frightening.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full-grown woman.
Kim and I have been friends for a long time. I've seen how things have played out behind the scenes. She's come a long way and she's a strong woman. The fact that she goes to Australia and twenty thousand people show up to a mall to see her is incredible. She's become an around the world phenomenon.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
She went out and took a last long look at the shabby little library. She knew she would never see it again. Eyes changed after they looked at new things. If in the years to be she were to come back, her new eyes might make everything seem different from the way she saw it now. The way it was now was the way she wanted to remember it.
She walks away, and I am too stunned to follow her. At the end of the hallways she turns and says, "Have a piece of cake for me, all right? The chocolate. It's delicious." She smiles a strange, twisted smile, and adds," I love you, you know." And then she's gone. I stand alone in the blue light coming from the lamp above me, and I understand: She has been to the compound before. She remembered this hallways. She knows about the initiation process. My mother was a dauntless.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
Once upon a time there was a girl who wanted to put her fist through a mirror. She would tell everyone it was so that she could see what was on the other side, but really, it was so that she wouldn't have to look at herself. That, and because she thought she might be able to steal a piece of glass when no one was looking, and use it to carve her heart out of her chest.
She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.
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