The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
Readers will stand up and cheer for Karen Fox's Prince of Charming! Finally, a heroine who's a real woman. Finally, a hero who knows what a rare find she is! Finally, a book for us all to adore! Thank you Karen Fox for creating the most lovable hero romance has seen in a long, long time!
No heroine can create a hero through love of one, but she can give birth to one
I love that Moana is a heroine, and I hope people take that away, and that you most certainly can be the heroine, or hero, of your own story.
The hero of a mainstream stand-alone novel can get by with things the hero of a sweet traditional category romance wouldn't dream of doing.
Find out what your hero or heroine wants, and when he or she wakes up in the morning, just follow him or her all day.
Heroine: Girl in a book who is saved from drowning by a hero and marries him next week, but if it was to be over again ten years later it is likely she would rather have a life-belt and he would rather have her have it. Hero: Person in a book who does things which he can't and girl marries him for it.
I think we worry way too much about where books should fit inside genres. In a romance, the hero and heroine are on a journey together, and no matter how awful it gets, by the end of the book they'll be in love, with the probability of a happy ending.
There is perhaps no more rewarding romance heroine than she who is not expected to find love. The archetype comes in many disguises - the wallflower, the spinster, the governess, the single mom - but always with one sad claim: Love is not in her cards.
Here's the thing about romance novels: The moment when the hero and heroine discover that they're perfect for each other is often the moment when it's them against the world.
Anne Barton is a delightful new voice in historical romance! Once She Was Tempted is a charming read, with characters who are easy to love--a wounded earl and a determined heroine whose heart won't be denied.
Many luckless people imagine that romance is dead: some, overcivilised, fondly suppose that there never was romance: a poet tells us that romance is unrecognised though really present: but scientists can meet him daily, walking at large and undisguised in the world.
When it comes to your hero, what the readers really fall in love with are his flaws. No one ever falls in love with a perfect hero.