A Quote by Julia Quinn

Elizabeth, you resemble nothing so much as a hen trying to hatch a book. — © Julia Quinn
Elizabeth, you resemble nothing so much as a hen trying to hatch a book.
Money is for doing things, my love. Don't sit on it like a hen sits on an egg. It doesn't hatch. I should know. I've made enough of it.
The hens they all cackle, the roosters all beg, But I will not hatch, I will not hatch. For I hear all the talk of pollution and war As the people all shout and the airplane roar, So I'm staying in here where it's safe and it's warm, And I WILL NOT HATCH!
You're comin' with me, you gotta be invisible. You walk by a hatch and you see the enemy, you become the hatch.
We are constituted a good deal like chickens, which, taken from the hen, and put in a basket of cotton in the chimney-corner, willoften peep till they die, nevertheless; but if you put in a book, or anything heavy, which will press down the cotton, and feel like the hen, they go to sleep directly.
Men resemble the gods in nothing so much as in doing good to their fellow creatures.
[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.
Vladimir Nabokov was a writer who cared nothing for music and whose favorite sport was the pursuit, capture, and murder of butterflies. This explains many things; for example, the fact that Nabokov's novels, for all their elegance and wit, resemble nothing so much as butterflies pinned to a board: pretty but dead; symmetrical but stiff.
On my first mission, I was the spacewalk supervisor: the person that runs the spacewalk from inside the vehicle. As such, I was the one that closed the hatch when my colleagues left to work outside for six hours. And I was also the person who opens the hatch when they come back, and we repressurize.
Nothing shakes my opinion of a book. Nothing -- nothing. Only perhaps if it's the book of a young person -- or of a friend -- no, even so, I think myself infallible.
People resemble still more the time in which they live, than they resemble their fathers.
A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
It is satisfying for the descendant of a dissident refugee from Elizabeth I to present his credentials to Elizabeth II.
There were about ten years of trying, failing, trying again, suffering rejection, etc. My first published book, 'Story of a Girl', was the fourth book I wrote.
Life is a continuous flux. Our nonhuman ancestors bred, generation after generation, and incrementally begat what we now deem to be the species homo sapiens - ourselves. There is nothing about our ancestral line or about our current biology that dictates how we will evolve in the future. Nothing in the natural order demands that our descendants resemble us in any particular way. Very likely, they will not resemble us. We will almost certainly transform ourselves, likely beyond recognition, in the generations to come.
Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.
Your heart-as you call it-and hers are alike, after all: they are like mine, like everyone's. They resemble nothing so much as those meters you will find on gas-pipes: they only perk up and start pumping when you drop coins in.
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