A Quote by Julia Scheeres

In California, Jim Jones even staged a shooting of himself. The lesson of this was two-fold. One, that he was a god - he could heal himself. He had these magic powers. A large segment of his congregation came from a Pentecostal tradition that believed in faith healing and already believed Jones had the power to cure others. And two, the "shooting" made him seem important. Civil rights leaders were being gunned down - MLK, Jr., Medgar Evers, Malcolm X - and he longed to be considered as heroic and important as they were.
Let's look at two things real quickly: the civil rights movement in Mississippi in the Sixties and the Arab Spring starting in Tunisia and Cairo. What they had in common was people who were told, and who believed inside themselves, that they were a certain way, and the society at large believed it.
Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.
The thing that you have to understand about those of us in the Black Muslim movement was that all of us believed 100 percent in the divinity of Elijah Muhammad. We believed in him. We actually believed that God, in Detroit by the way, that God had taught him and all of that. I always believed that he believed in himself. And I was shocked when I found out that he himself didn't believe it.
Jim Jones started out as a civil rights crusader in Indianapolis. As a young preacher in the mid-50s, he used members of his congregation to integrate lunch counters and all-white churches in rich neighborhoods; they'd just march in and sit down at the pews and see what happened. Often they were received with racist insults, and once with a bomb threat. But the fact that you had this charismatic, white man, aggressively promoting racial equality, was a huge draw for African Americans, many of whom felt the Civil Rights Movement had stalled by the late 60s.
Aretha Franklin was as important to the civil-rights movement as Malcolm X and Medgar Evers. Artists can choose to take on the tremendous amount of responsibility we have, or choose to ignore it.
The healing principle is within man himself. Man's power to heal himself, or extend his healing power to others, is measured by his awareness of God in him.
To be honest, I didn't want to get inside Jones's head. Every time I wrote about Jim Jones I practically had to tie myself to my chair to force myself to do it; I hated him so much. He wanted to go down in history and he did. He's had hundreds of books and articles written about him. I was much more interested in the stories of the rank-and-file members of Peoples Temple, what drew them to Jones, and what they did once they were trapped in Jonestown and realized Jones was intent on killing them.
As kids, my brother David and I longed for acceptance. We were desperate to belong. We would have been thrilled to see the pews of Jones's church in San Francisco, with blacks and whites sitting side by side. And Jim Jones's sermons on social justice and equality would have had much greater appeal to us than the soporific morality tales we were accustomed to hearing. Jones promised real racial equality. He promised to create a truly equal community in the jungle in Guyana.
At one o’clock, the ever-logical Right-Eye Grand Steward woke up to discover that during his sleep his left-eyed counterpart had executed three of his advisors for treason, ordered the creation of a new carp pool and banned limericks. Worse still, no progress had been made in tracking down the Kleptomancer, and of the two people believed to be his accomplices, both had been released from prison and one had been appointed food taster. Right-Eye was not amused. He had known for centuries that he could trust nobody but himself. Now he was seriously starting to wonder about himself.
The question of art songs always came up with Gastr del Sol. I think Jim O'Rourke had it right in being clear that there's a tradition of art song - Ives being the touchstone for the two of us - and what we do doesn't belong to it. It wasn't important to advance those kinds of distinctions, but clearly he thought it was fanciful for anyone to speak of what we were doing as being in that tradition.
Jim Jones wanted his people to believe the establishment was trying to kill him because whites were threatened by his message of racial equality. He used the incident to close ranks and turn anyone who disagreed with him into a menace. He warned his congregation that a would be assassin might try to infiltrate their church, so they had to prove their loyalty to him by never questioning his orders. Dissenters became traitors.
Jim Jones used highly-edited videos and photos of Jonestown, showing what a supposed Eden it was. People were interviewed smiling and working in the fields, telling other church members to hurry down and join them. These interviews were staged; the people were told exactly what to say. Truth is, Jonestown never even produced enough food to feed everyone, and people were going hungry.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
[T]here seems to have been an actual decline in rational thinking. The United States had become a place where entertainers and professional athletes were mistaken for people of importance. They were idolized and treated as leaders; their opinions were sought on everything and they took themselves just as seriously-after all, if an athlete is paid a million or more a year, he knows he is important ... so his opinions of foreign affairs and domestic policies must be important, too, even though he proves himself to be ignorant and subliterate every time he opens his mouth.
This site uses cookies to ensure you get the best experience. More info...
Got it!