A Quote by Julia Stiles
I did a different production with a different director and Bill Pullman. Oleanna - the one you saw - we were doing right after Bourne Identity or right after it came out.
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Right before 'The Bourne Identity' came out, I hadn't been offered a movie in a year.
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
I thought I was done making CIA movies after 'The Bourne Identity.' I really had used my father's work in Iran-Contra on 'The Bourne Identity.' You get one experience like that in your life where you have personal exposure to something, and you put it in a movie. That's it.
I did 'Nobody Walks' right after 'Dredd.' Well, actually, I got off the plane from Capetown where we shot 'Dredd' and tested for 'Being Flynn' that same day. Then I came out to L.A. to make this film right after that so it was all very back to back.
[Bill] Clinton and Vernon Jordan were talking about "the kitty," the pussycat every other sentence. Vernon got Monica [Lewinsky] a gig somewhere out of the White House, got her an offer for a gig somewhere. And then after Vernon left with Monica, here came Jesse Jackson to the White House for public prayer sessions so that Bill Clinton could get right with God after this mortal transgression and sin. It was the most puke-y thing.
Is it in the interests of Britain to leave or remain in the EU? As we saw in the referendum, there are different Britains and they see their interests in different ways. For a lot of everyday blokes the EU affected their sense of identity in ways they disliked, and they were right in thinking that the EU didn't return much to them by way of economic benefits.
I have to be careful not to visit one place right after the other and write one book after the other. Because I fear writing the same book all over again. That's why I am taking a break and doing something different this time.
'The Missing Picture' came together slowly, after much provocation and by refusing different forms, until I finally found the right form.
Those eyes, they've got a history with mine. They were the first things I saw when I came to, after being hit in the skull with a baseball thrown by Patrick at Little League. They were the fortification I needed at sixteen to ride the chairlift at Sugarloaf, although I am terrified of heights. For almost my whole life, they've told me I'm doing all right, during moments when it was not in my own power to answer.
Back in the early days of WWE, I remember doing 20 interviews every Tuesday, one right after the other on different topics.
Reader's Bill of Rights 1. The right to not read 2. The right to skip pages 3. The right to not finish 4. The right to reread 5. The right to read anything 6. The right to escapism 7. The right to read anywhere 8. The right to browse 9. The right to read out loud 10. The right to not defend your tastes
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop calling me since it didn't do very well at the box office.
Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing 'My Happy Ending' a lot, and that song was so new that I remember getting emotional.
After Mad Season, I started writing my own music for Pearl Jam and brought it in. 'Given To Fly' came out of that, and so did 'Faithful' - those were on 'Yield,' which came after Mad Season.
I got to Broadway a year after I came to New York. I starred in 'Butterflies Are Free' and got a Tony for it. Right out of the gate. Maybe that's why I wasn't very gracious about it. I wasn't driven. And right after 'Butterflies Are Free', I got married and then started a family. I always wanted that.
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