A Quote by Julia Stiles
I become so sentimental on planes: I could be watching 'Bridesmaids' and start crying.
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I remember sitting in the theater watching 'Bridesmaids,' and I'm doubled over laughing, and then I'm crying in the same movie. It's the overwhelming feeling, as I'm looking up and seeing these women, and I'm realizing how rare it is to see that.
Do not think that your crying and complaints can force Jesus to become sentimental and then give Himself out so cheaply.
Had 'Bridesmaids' not ended up being so amazing and successful, we would never have been able to make 'Bachelorette.' So we are in awe of 'Bridesmaids' and totally owe them so much.
I think one of the great things about 'Bridesmaids' is that it's a big studio comedy, but all of the relationships in it are so grounded that you're watching a real movie.
However, if you do start crying in an argument and someone asks why, you can always say, 'I'm just crying because of how wrong you are.'
Nature is the endless reflective pattern of existence in eternity. As I sit here watching the leaves and watching their patterns, I'm reminded of so many things I've seen in other planes and in other worlds.
I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible.
I always had watched pro wrestling. I happened to be watching the WWE Network one day and started watching differently: I wasn't watching it as a fan, but instead I was watching it as something that I could possibly be a part of.
Nilda is watching the ground as though she's afraid she might fall. My heart is beating and I think, We could do anything. We could marry. We could drive off to the West Coast. We could start over. It's all possible but neither of us speaks for a long time and the moment closes and we're back in the world we've always known.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they were really very good.
I remember watching World's Strongest Man as a kid, and I was just obsessed with it. At sort of five, six years old. Just watching these huge guys lift planes, pulls trains, lift stones - I was just mesmerised by it.
I've worked with little kid actors before, and when they start crying or anything like that, it makes my job so easy, because you react. A little kid crying, there's not much else to do.
I don't want comedy to be Bridesmaids 2. I'm not denigrating Bridesmaids but, enough already, let's stop pretending women are incalculably different to us. Seeking out podcasts, listening on headphones, it's like an intimate, specific conversation. People respond if it feels from the heart. I'm as neurotic a human being as lives, and I have my faults. I'm a drunk. But people really like that.
When you read a book, you generate beta waves irrespective of the book's content. But if you look up from it, and start watching TV - it doesn't matter what the content of the program is - the beta waves disappear and you start processing alpha and theta waves. These are the same waves that you generate during meditation. Reading is primarily left hemisphere and watching television is primarily right hemisphere. Now how could that not have a major effect on our culture?
Each day brought just another minute of the things they could not leave behind. Jane Barrington sitting on the train coming back to Leningrad from Moscow, holding on to her son, knowing she had failed him, crying for Alexander, wanting another drink, and Harold, in his prison cell, crying for Alexander, and Yuri Stepanov on his stomach in the mud in Finland, crying for Alexander, and Dasha in the truck, on the Ladoga ice, crying for Alexander, and Tatiana on her knees in the Finland marsh, screaming for Alexander, and Anthony, alone with his nightmares, crying for his father.
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