A Quote by Julia Sweeney

I'm not a standup. I don't really have jokes. I don't have 10 minutes. It took a while for me to realize this. — © Julia Sweeney
I'm not a standup. I don't really have jokes. I don't have 10 minutes. It took a while for me to realize this.
'Just What I Am' took me all of 10 minutes to make. 'Immortal' maybe took 30 minutes. It's not hard for me. 'Indicud' is almost what my first album should have sounded like, had I really been able to channel all of the ideas I had into music.
I never really saw myself as a standup comedian. I always just thought of myself as someone who used the eight minutes or 10 minutes she was allotted and had a blast.
That's what happens with most comedies. If you watch 10 minutes and there's no joke, then you're disappointed because you're expecting jokes. The same goes for emotional movies. You have to feel something. If you don't feel anything for 10 minutes, you get bored.
It took me 10 years to realize that I don't know 'em, 10 years to realize that it's possible to learn them, then another 10 years to learn how to do things.
When Trump took office, it didn't matter if you'd covered the White House for 10 years or 10 minutes. No one knew what to expect. We would be told about press conferences a few minutes before.
It took me a long time to understand not to get caught up in other people's expectations. It really comes down to creative fulfillment. It took me a while to realize I don't want to just be on a show to be on a show.
I mean, it took me a long while to realize that I wasn't gonna play football on a regular basis anymore. I still play once in a while, but that took me a long while to adjust.
Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'
People can write jokes five minutes after a major world event happens, and have hundreds of thousands of people read them within 10 minutes. Whereas before you write a joke, you don't know if anybody is really touching on it or not, and you tell it onstage the next night. For joke writing it has changed things.
I wasn't really that good at being a musician. And then I tried being a standup. I was an actor. I was a photographer. I tried everything. Nothing was particularly working for me, but then, as a musician, I wrote jokes for comics. And they started to buy my jokes, and that's where I thought maybe that might work.
I'm not good at sports, but I do exercise because we have to move. Besides walking my dog four times a day, I go to the gym and do 30 minutes on a stationary bike while reading a book because I get bored, then 10 minutes of weights and 10 of stretches.
It took me a while to realize that the only way to really communicate with people is to give them your point of view.
I don't have a set working style. Some lyrics come really slow, others come in 10 minutes while I'm watching basketball. They're always a surprise to me.
In fifth grade, we did 10 minutes on slavery and 40 minutes on Abraham Lincoln, and in 10th grade you might do 10 minutes on the civil rights era and 40 minutes on Martin Luther King, and that's it.
'Chandelier' took, like, four minutes to write the chords, then, like, 12-15 minutes to write the lyrics. Probably 10 or 15 minutes to cut the vocals.
A new study found that most people can't go 10 minutes without lying. But since the study took 20 minutes nobody knows what to believe.
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