A Quote by Julian Assange

[The rhetoric] is trying to avoid [the truth that ] the U.N. formally found that the whole thing is illegal, never even mentioning that Ecuador made a formal assessment through its formal processes and found that yes, I am subject to persecution by the United States.
Here we have a case, the Swedish case, where I have never been charged with a crime, where I have already been cleared [by the Stockholm prosecutor] and found to be innocent, where the woman herself said that the police made it up, where the United Nations formally said the whole thing is illegal, where the State of Ecuador also investigated and found that I should be given asylum. Those are the facts, but what is the rhetoric?
The U.N. [the United Nations Working Group on Arbitrary Detention] has looked into this whole situation. They spent eighteen months in formal, adversarial litigation. [So it's] me and the U.N. verses Sweden and the U.K. Who's right? The U.N. made a conclusion that I am being arbitrarily detained illegally, deprived of my freedom and that what has occurred has not occurred within the laws that the United Kingdom and Sweden, and that [those countries] must obey. It is an illegal abuse.
With the mining sites, I found a subject matter that carried forth my fascination with the undoing of the landscape, in terms of both its formal beauty and its environmental politics.
Relying on words to lead you to the truth is like relying on an incomplete formal system to lead you to the truth. A formal system will give you some truths, but as we shall soon see, a formal system, no matter how powerful cannot lead to all truths.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
One of the main reasons I came back to Mexico is because I've found freedom and democracy here, something I never found in the United States.
Formal is formal. I can't wear sneakers all the time. Sometimes, I wear other shoes. It's not my challenge designing formal - it's so boring - but it's still important. I sell a lot of classic black sneakers made from every material because everyone loves black, and if you mix and match material, you get an opera.
And at home in the United States we found continued and increased persecution, first of leaders of the Communist Party, and then of all honest anti-fascists.
The rhetoric is pretending, constantly pretending that I have been charged with a crime, and never mentioning that I have been already previously cleared, never mentioning that the woman herself says that the police made it up.
The Center for Immigration Studies found that illegal immigrants cost the United States taxpayer about $10.4 billion a year. A large part of that expense stems from the babies born each year to illegal immigrants.
I take it that computational processes are both symbolic and formal. They are symbolic because they are defined over representations, and they are formal because they apply to representations, in virtue of (roughly) the syntax of the representations.
Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
I studied music formally. I was probably less formal about my study of acting than anything.
The United States, obviously, has a great interest in helping to maintain peace and security in Europe, and we have a formal alliance, NATO, to do so.
The right answer on raises is you have to be formal. You have to be formal to save your own culture.
The job of formal methods is to elucidate the assumptions upon which formal correctness depends.
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