A Quote by Julian Assange
I just find it absolutely amazing that the narrative about this situation is not put out publically in the press, because it doesn't suit the Western establishment narrative - that yes, the West has political prisoners, it's a reality, it's not just me, there's a bunch of other people as well.
Related Quotes
For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
I think one of the things that happens with, especially in the criminal justice system, is that the prosecutor is able to control the narrative from the very, very beginning. The moment an arrest is made, they put out a press release to the media and the media follows that narrative.
There's a narrative out there about Republicans being not just anti-illegal immigrant, but anti-immigrant. It was very important to me to break the narrative.
I can't see much purpose in archaeology unless you can find out the narrative about that place, or even realise that nobody actually knows what the narrative was.
I have a theory that, for people of color or others who have been cut out of the master narrative, just telling your personal survival tale, your story, is civic engagement. It is a kind of political performance and is really crucial in that storytelling is how the writers connect with people and change. It's how we collect and add to and complicate the master narrative.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
Of course, no state accepts [that it should call] the people it is imprisoning or detaining for political reasons, political prisoners. They don't call them political prisoners in China, they don't call them political prisoners in Azerbaijan and they don't call them political prisoners in the United States, U.K. or Sweden; it is absolutely intolerable to have that kind of self-perception.
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.
In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' even 'Spaghetti Western.' When we say 'film noir' we know what we are talking about. But in non-narrative cinema, we are a little bit lost. So sometimes, the only way to make us understand what we are talking about is to use the term 'avant-garde.'
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
I just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.
If you track something like a political campaign and parcel out what's being communicated in a literal and narrative sense, and what's being communicated by means of emotional and symbolic language, you might find that it's the latter elements that absolutely dominate and move people. It makes me want to take that language and expose it.
Many activists don't want to hear about some grand narrative, one that could unify all of our struggles. So the major issue that needs to be addressed is how to get people to see that there is indeed a grand narrative which just happens to be true.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
Trump is such a unique candidate. He's incredibly polarizing. But I see the same kind of blinders on the left. There's perhaps a little less anger, but there is nothing that Hillary Clinton can do to stop most of this nation from voting for her. You do see people who are just buying into the narrative they want to hear, and they are pushing out the narrative they don't.
Related Authors
Aung San Suu Kyi Quotes
Burmese
Activist
Bill Ayers Quotes
American
Activist
Edward Snowden Quotes
American
Activist
Elizabeth Cady Stanton Quotes
American
Activist
Emma Goldman Quotes
Russian
Activist
Gloria Steinem Quotes
American
Activist
Jesse Jackson Quotes
American
Activist
Louis Farrakhan Quotes
American
Activist
Malala Yousafzai Quotes
Pakistani
Activist
Malcolm X Quotes
American
Activist
Michael Moore Quotes
American
Activist
Noam Chomsky Quotes
American
Activist
Peace Pilgrim Quotes
American
Activist
Shane Claiborne Quotes
American
Activist
Thomas Paine Quotes
English
Activist
Van Jones Quotes
American
Activist