A Quote by Julian Assange
If a source gives us material that is of political, diplomatic, ethical or historical significance that has not been published before and is comprised of official documents or recordings, then we will publish it.
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The most important publication of WikiLeaks is that it has published more than 10 million documents. The most important single collection of material we have published is the US diplomatic cable series. We started with 251,000 in 2011, but are up to 3 million now and have more coming.
As a scholar, you don't want to repeat yourself, ever. You're supposed to say it once, publish it, and then it's published, and you don't say it again. If someone comes and gives a scholarly paper about something they've already published, that's just terrible. As a university president, you have to say the same thing over and over and over.
The thing that has always interested me - amidst the scale, the historical spectacle, or the social significance or the political resonance - has been the relationships.
To a historian libraries are food, shelter, and even muse. They are of two kinds: the library of published material, books, pamphlets, periodicals, and the archive of unpublished papers and documents.
Because the New Testament provides the primary historical source for information on the resurrection, many critics during the 19th century attacked the reliability of these biblical documents.
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and if they publish it, maybe no one will read it. That is the hard truth, that is what it means to be a writer.
Still, we view that old material very much like we view the new material so if this gives us a chance to go out and promote it then, yes we will go out and do that.
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
Every Jewish holiday has a religious significance, a historical significance, and a relevance to the time of year in the natural calendar of the seasons and trees and growing things, as well as a personal significance. So you are always looking backward, outward, inward and forward.
Everywhere, the ethical predicament of our time imposes itself with an urgency which suggests that even the question Have we anything to eat? will be answered not in material but in ethical terms.
Let's say that, personally, I loved Hillary Clinton. Would WikiLeaks still publish this material? Of course it would. Otherwise, we would be censoring it. That's our mandate. It's actually interesting to think about what media organizations wouldn't publish such material if it was given to them.
Individualism is at once an ethical-psychological concept and an ethical-political one. As an ethical-psychological concept, individualism holds that a human being should think and judge independently, respecting nothing more than the sovereignty of his or her mind; thus, it is intimately connected with the concept of autonomy. As an ethical-political concept, individualism upholds the supremacy of individual rights
Often it's the case that we have to do a lot of exploration and marketing of the material we publish ourselves to get a big political impact for it.
To encounter Christ is to touch reality and experience transcendence. He gives us a sense of self-worth or personal significance, because He assures us of God's love for us. He sets us free from guilt because He died for us and from paralyzing fear because He reigns. He gives meaning to marriage and home, work and leisure, personhood and citizenship.
And all times are one time, and all those dead in the past never lived before our definition gives them life, and out of the shadow their eyes implore us. That is what all of us historical researchers believe. And we love truth.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
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