A Quote by Julian Assange
Although I still write, research and investigate, my role is primarily that of a publisher and editor-in-chief who organises and directs other journalists.
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In 1986, I returned to London as editor in chief of 'British Vogue.' Although I still thought of myself as totally English, to my surprise, everyone here thought I was some sort of American control freak.
I've played journalists before, and I have good friends who are journalists. I think being an actor is not very far from being a journalist. Because you investigate, you try to understand, you're asking questions, you're interested in the other.
I've played journalists before Elles, and I have good friends who are journalists. I think being an actor is not very far from being a journalist. Because you investigate, you try to understand, you're asking questions, you're interested in the other.
It's always hard to write and get your words out there, to find an editor, a publisher - readers! - who are going to appreciate them.
Being editor-in-chief of the 'Guardian' and 'Observer' is an enormous privilege and responsibility, leading a first-class team of journalists revered around the world for outstanding reporting, independent thinking, incisive analysis, and digital innovation.
I was the editor of the News of the World; I was the editor of the Sun and chief executive.
While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.
Sometimes I write less than I'd like but do research. Other times, editor's notes or a copy-edited manuscript or page proofs for a forthcoming novel mean that I need to put my attentions elsewhere for a day or two, but I always come back to writing.
Some writers research in order to write. I write in order to research topics that interest me. Especially if I can meet with other people, in forums from illness support groups to phone-sex hotlines, and learn what other people know best.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
In the long run, the quality of your work is all that matters. That is your only resumé. Be professional. Make sure your editor or publisher can always reach you. Do what's asked of you if your conscience can bear it. But know that, five years from now, as fans or prospective employers are looking over your published pages, no one will care that this story sucks because the publisher moved the deadline up or because the editor made you work an android cow into the story. All they will care about is what they see in front of them, and they will hold you responsible for it, no one else.
I'm primarily a poet, so I'd have to say in my case I'd investigate the mystery in poetry in a different way than prose might investigate it, in a way that includes the power of the music of language and maybe more imaginatively in poetry, but I don't really know about better or worse. I guess it depends on the writer.
Asking the public health community to investigate the role of vaccines in the development of autism is like asking the tobacco industry to investigate the link between lung cancer and smoking.
I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.
I used to see a lot of cocaine. There were journalists who used cocaine and didn't write about it and I didn't write about it. I would never do drugs, so I would always get the same response from people: "Smart kid, more for me." Whether it was a joke or sincere or both, but I was just happy not to be in there partying with the band like some of these other journalists.
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